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    Museum collections / Art Institute of Chicago
    Abigail
    Maerten van Heemskerck. Abigail, c. 1560. The Art Institute of Chicago. Public domain (CC0).
    AT-00002220

    Public data from the Art Institute of Chicago. Learn more

    Abigail

    by Maerten van Heemskerck

    Inscriptions

    Signed recto, lower left, in pen and ink: "Maerten van/ Heemskerck/inventor"; inscribed, lower right, in pen and brown ink: "Abÿgael" (both now faint but legible in ultraviolet light); inscribed verso, center, in graphite: "41911"; lower right, in graphite: "3" (upside down)

    Provenance

    John McGowan (died 1803), Edinburgh; possibly sold, Jan. 26–Feb. 4, 1804.  Henry Reveley (1737–1798), North Wales, England; possibly sold, Christie’s, London May 11–12, 1852.  Hamilton, London [according to inscription by Roupell]. Robert Prioleau Roupell (1798–1886), London [stamp (Lugt 2234), verso upper left in black]; sold, Christie's, London, July 12–14, 1887, lot 999.  Private collector; sold, Karl & Faber, Munich, Nov. 16–17, 1959, lot 110. Sold by Richard Zinser, New York, to the Art Institute of Chicago, 1961.

    Exhibition history

    Art Institute of Chicago, Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958–1983, July 24–Sept. 30, 1985, pp. 72–73, cat. 27 (ill.); also the St. Louis Art Museum, Mar. 10–May 16, 1986. Milwaukee Art Museum, Old Master Drawings from Area Collections, 1997, pp. 12 and 27, cat. 13 (ill.). The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 187, 188-89 (ill.), 190-91, 198, 301, cat. 67, cat. by Victoria Sancho Lobis, et. al.

    Publications

    Egbert Haverkamp-Begemann, Mary Tavener Holmes, Fritz Koreny, Donald Posner, Duncan Robinson, The Robert Lehman Collection VII: Fifteenth to Eighteenth-Century European Drawings: Central Europe, The Netherlands, France, England (New York: The Metropolitan Museum of Art, 1999), see no. 29 (ill p. 134.)   The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450–1700, Philips Galle, 4 vols., Compiled by Manfred Sellink and Marjolein Leesberg, ed. Manfred Sellink (Rotterdam: Sound and Vision Publishers, 2001 in cooperation with the Rijksprentenkabinet, Rijksmuseum Amsterdam), vol. 1, no. 133, p. 188.

    Quick Overview

    Artist
    Maarten van Heemskerck / Netherlandish, 1498-1574
    Date
    c. 1560
    Medium
    Pen and brown ink on ivory laid paper, incised with stylus for transfer
    Dimensions
    19.7 × 25.2 cm (7 13/16 × 9 15/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Netherlands
    Department
    Prints and Drawings
    Credit line
    Simeon B. Williams Fund
    Accession no.
    1961.33

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    • Jonah Cast Out by the Whale onto the Shore of Nineveh

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      Public collection via the Cleveland Museum of ArtAT-00011138
    • Jacob Willemsz van Veen (1456–1535), the Artist's Father

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      1532 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00015137
    • Man Protected by the Shield of Faith

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      1559 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00020448

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002220

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