Waterfall

London, Wildenstein & Co., "French Drawings from Clouet to Ingres," March 1934, cat. 46. Minneapolis Institute of Art, "Watercolors by the Masters: Dürer to Cézanne," May 1-June 15, 1952, cat. 25. New York, Wildenstein & Co., "Timeless Master Drawings," November-December 1955, cat. 86. New York, Wildenstein & Co., "For the Connoisseur," September 24-October 31, 1956, cat. 36. Santa Barbara Museum of Art, Calif., "Painted Papers: Watercolors from Dürer to the Present," March 15-April 15, 1962, cat. 62. The Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 108-09, cat. 54 (ill.), cat. by Harold Joachim. The Art Institute of Chicago, "Selected Works of 18th Century French Art in the Collections of The Art Institute of Chicago," January 24-March 28, 1976, p. 69, cat. 63 (ill.). Paris, Musée du Louvre, "Dessins français de l’Art Institute de Chicago de Watteau à Picasso," October 15, 1976-January 17, 1977, n.p., cat. 22 (ill.). Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, "Französische Zeichnungen aus dem Art Institute of Chicago," February 10-April 10, 1977, pp. 50-51, cat. 20 (ill.). New York, Wildenstein & Co., "Romance and Reality," October 17-November 25, 1978. The Art Institute of Chicago, "The Regenstein Collection of European Drawings," 1985-1986. The Art Institute of Chicago, "Recent Acquisitions to the Regenstein Collection," February 20-April 28, 1995.

The Art Quarterly, 27 (1964), p. 499. Harold Joachim, French Drawings and Sketchbooks of the Eighteenth Century (Chicago, 1979), pp. 44-45, no. 2C8. Martha Tedeschi and Kristi Dahm, Watercolors by Winslow Homer: The Color of Light, exh. cat. (Yale University Press and the Art Institute of Chicago, 2008), pp. 76 (ill.), 77.