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    Museum collections / Art Institute of Chicago
    The Mocking of Elisha by Jean Poyer
    Jean Poyer. The Mocking of Elisha, c. 1500. The Art Institute of Chicago. Public domain (CC0).
    AT-00002394

    Public data from the Art Institute of Chicago. Learn more

    The Mocking of Elisha

    by Jean Poyer

    Inscriptions

    Inscribed lower left-lower right, in graphite: "Lucas Jacobs dit Lucas de Leyden"; lower left, in graphite: "Lucas van Leyden"; lower right , in graphite: "No 80" ("o" superscript, "80" underlined)

    Exhibition history

    New York, The Pierpont Morgan Library, "Jean Poyet: Artist to the Court of Renaissance France," January 25-May 6, 2001, no cat. The Art Institute of Chicago, "Kings, Queens, and Courtiers: Art in Early Renaissance France," February 27–May 30, 2011; also Paris, Galeries nationales d'exposition du Grand Palais, October 11, 2010-January 10, 2011.

    Publications

    Dirk Hannema, Catalogue of the H. E. ten Cate Collection (Rotterdamn, 1955), vol. 1, p. 127, no. 219b, vol. 2, pl. 88 (as French School ca. 1500). The Art Institute of Chicago Annual Report, 1964-1965, p. 60 (ill.), as French, about 1500. Sotheby's, Old Master Drawings (London, July 7, 1966), p. 57 (as French School, about 1500). Harold Joachim, French Drawings of the Sixteenth and Seventeenth Centuries (Chicago, 1977), pp. 27-28, no. 6 (as Anonymous Northern France, around 1500). Janet Backhouse, "The Tilliot Hours: Comparisons and Relationships," The British Library Journal 13:2 (Autumn 1987), pp. 224-28, fig. 14. Burton L. Dunbar and Edward J. Olszewski (editors), Drawings in Midwestern Collections, vol. 1: Early Works (Columbia, Mo., 1996), pp. 121-26, no. 23, pl. 23 (as French School, ca. 1500). Christies, Old Master Drawings (New York, January 10, 1996), p. 164, fig. 1.

    Quick Overview

    Artist
    Jean Poyer / French, active 1483-1503
    Date
    c. 1500
    Medium
    Pen and black ink, with touches of brown ink, and brush and black, brown, pink, green, blue, and yellow wash, on ivory laid paper, discolored to buff, laid down on cream laid paper
    Dimensions
    21 × 14.5 cm (8 5/16 × 5 3/4 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Everett D. Graff Memorial Fund
    Accession no.
    1965.16

    Provenance

    Eugène Rodrigues (died 1928), Paris; sold, Frederik Muller, Amsterdam, July 12-13, 1921, lot 114, to Hendrikus Egbertus ten Cate (died 1955), Rotterdam. C. G. Boerner, Dusseldorf, 1964; sold to the Art Institute, 1965.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002394

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