ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Landscape with Two Men Walking
    Tobias Verhaecht. Landscape with Two Men Walking, 1580/1631. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00002407

    Landscape with Two Men Walking

    by Tobias Verhaecht

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed recto, lower right, in pen and brown ink: "To. Verghecht"; verso, lower right, in graphite ‘"Vergahct signé"

    Provenance

    Eric H. L. Sexton (born 1902) [stamp (Lugt 2769c), verso, lower right, in purple]. Bequeathed by Everett D. Graff (1885–1964), Winnetka, Ill. to the Art Institute of Chicago, 1965.

    Exhibition history

    The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 231-32, 233 (ill.), 318, cat. 83, cat. by Victoria Sancho Lobis, et. al.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Tobias Verhaecht / Flemish, 1561-1631
    Date
    1580/1631
    Medium
    Pen and brown ink, with brush and brown and blue ink washes, over traces of black chalk, on ivory laid paper
    Dimensions
    22.5 × 33.4 cm (8 7/8 × 13 3/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Belgium
    Department
    Prints and Drawings
    Credit line
    Bequest from the estate of Everett D. Graff
    Accession no.
    1965.254

    More by Tobias Verhaecht in museum collections

    • Mountainous Landscape

      Tobias Verhaecht

      1576–1631 · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00021232
    • Mountainous Landscape with Tobias and the Angel

      Tobias Verhaecht

      1575–1631 · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00021504
    • Mountainous Landscape with Travelers on a Road

      Tobias Verhaecht

      1616 · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00021505
    • The Death of Aeschylus

      Tobias Verhaecht

      1576–before 1606 · Drawing

      Public collection via the Metropolitan Museum of Art

      AT-00022432

    Open-access museum record · AT-00002407

    Powered by Art Trackers