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    Museum collections / Art Institute of Chicago
    The Turkish Rider
    Eugène Delacroix. The Turkish Rider, c. 1834. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00002413

    The Turkish Rider

    by Eugène Delacroix

    View at the Art Institute of Chicago

    Inscriptions

    Signed lower right: "Eug. Delacroix"

    Provenance

    Gustave Revenaz, Paris, by 1885 [Paris 1885]. Private Collection, Paris, by 1964 [Bern 1964]. Sold by Wildenstein and Company, New York, to the Art Institute, 1965.

    Exhibition history

    Paris, École Nationale des Beaux-Arts, "Eugène Delacroix," March 6-April 15, 1885, cat. 285. Kunstmuseum Bern, "Delacroix," November 16, 1963-January 19, 1964, cat. 169. Palm Beach, Fla., Society of Four Arts, "Drawings from The Art Institute of Chicago," January 5–27, 1974, cat. 12 (ill.). The Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 134-35, cat. 66 (ill.), cat. by Harold Joachim. The Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1985-1986. Frankfurt, Germany, the Städelsches Kunstinstitut and the Stadtische Galerie, "Delacroix: Works on Paper," September 23, 1987-January 4, 1988.

    Publications

    Alfred Robaut, L'Oeuvre Complet de Eugène Delacroix, (Paris, 1885), no. 565 (ill.). The Art Institute of Chicago Annual Report (1965-1966), pp. 3, 9, and 29 (ill.). Gottfried Lindemann, "Prints and Drawings: A Pictorial History", (Praeger Publishers, Inc. 1970), p. 291 (ill.) Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century (Chicago, 1979), no. 2E8. David M. Cassidy, "Passing the Tradition," The Chicago Report (1996). Suzanne Folds McCullagh, “‘A Lasting Monument’: The Regenstein Collection at The Art Institute of Chicago,” The Art Institute of Chicago Museum Studies, 26, 1 (2000), pp. 5-15, fig. 6.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Eugène Delacroix / French, 1798-1863
    Date
    c. 1834
    Medium
    Gouache and watercolor, with scraping, selectively gum-varnished, on cream wove paper, laid down on tan wove paper
    Dimensions
    25.2 × 18.7 cm (9 15/16 × 7 3/8 in.)
    Type
    Drawing
    Classification
    watercolor
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Helen Regenstein Collection
    Accession no.
    1965.455

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      AT-00001285
    • The Combat of the Giaour and Hassan

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      AT-00001481
    • Study for Marphise and the Mistress of Pinabel

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      Public collection via the Art Institute of Chicago

      AT-00002107

    Open-access museum record · AT-00002413

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