
Public data from the Art Institute of Chicago. Learn more
Villa of Maecenas at Tivoli
Inscriptions
Inscribed verso, lower center, in pen and brown ink: "Bischop"; lower right, in graphite: "D.1130" (in an oval)
Provenance
Carl Robert Rudolf (1884–1974), London [stamp (Lugt 2811b), verso, lower right, in black]. Sold, Christie’s, London, Mar. 20, 1973, lot 49. Sold by Zeitlin and ver Brugge Booksellers, Los Angeles, to the Art Institute of Chicago, 1973.
Exhibition history
Art Institute of Chicago, The Broad Spectrum: Color on Paper, Past and Present, Sept. 12–Oct. 31, 1999, no cat. The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 30, 31, 241, 244-245 (ill.), 290, 291, 329 (ill,), cat. 90, cat. by Victoria Sancho Lobis, et. al.
Publications
Carlos van Hasselt, Dessins de Paysagistes Hollandais du XVIIe siecle .. a l’Institute Neerlandais, 1968, vol. I, under no. 26, p. 28. Marcel Roethlisberger, Bartholomeus Breenbergh, Handzeichnungen (Berlin: Walter de Gruyter & Co., 1969), p. 39, under no. 104.
Quick Overview
- Artist
- Bartholomeus Breenbergh / Dutch, 1598-1657
- Date
- c. 1627
- Medium
- Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper
- Dimensions
- 39.3 × 27.6 cm (15 1/2 × 10 7/8 in.)
- Type
- Drawing
- Classification
- ink or chalk wash
- Place
- Holland
- Department
- Prints and Drawings
- Credit line
- Charles H. Worcester Sketch Fund
- Accession no.
- 1973.446
More by Bartholomeus Breenbergh in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00002750
Powered by Art Trackers



