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    Museum collections / Art Institute of Chicago
    Satyr Among the Peasants
    Barent Fabritius. Satyr Among the Peasants, 1645/50. The Art Institute of Chicago. Public domain (CC0).
    AT-00002908

    Public data from the Art Institute of Chicago. Learn more

    Satyr Among the Peasants

    by Barent Fabritius

    Inscriptions

    Inscribed verso, lower left, in graphite: "P22’ ‘D"

    Provenance

    15th Earl of Shrewsbury (1753–1827), Alton Towers, Staffordshire, England [Deering collection records].   Charles Deering (1852–1927), Chicago [stamp (Lugt 516) verso, lower left, in blue]; by descent to his daughters, Mrs. Chauncey McCormick (née Marion Deering; 1886–1965), Chicago and Mrs. Richard Ely Danielson (née Barbara Deering; 1885–1957), Chicago; given to the Art Institute of Chicago, 1927.

    Exhibition history

    Art Institute of Chicago, A Century of Progress, Exhibition of Paintings and Sculpture, Lent from American Collections, June 1–November 1, 1933, p. 87, cat. 814 (as Rembrandt). Art Institute of Chicago, [Loan Exhibition of] Paintings, Drawings and Etchings by Rembrandt and His Circle, Dec. 19, 1935–Jan. 19, 1936, p. 32, cat. 28 (as Rembrandt). Worcester Art Museum, Rembrandt and his Circle, A Loan Exhibition of Paintings, Drawings, and Etchings, Feb. 4–Mar. 1, 1936, no. 27 (as Rembrandt). Art Institute of Chicago, Rembrandt after Three Hundred Years: An Exhibition of Rembrandt and His Followers, 25 Oct.–7 Dec. 1969, p. 189, cat. 169 (ill. p.. 255); also The Minneapolis Institute of Arts, 22 Dec 1969–1 Feb 1970; The Detroit Institute of Arts, 24 Feb–5 April 1970 (as Barent Fabritius ?). Washington DC, National Gallery of Art, Seventeenth Century Dutch Drawings from American Collections, Jan. 30–Mar. 13, 1977; also Denver Art Museum, Apr. 1–May 15, 1977 and Kimbell Art Museum, Fort Worth, Tex., June 1–July 15, 1977, cat. No. 67, pp. 69–70. [exhibition dates not listed in catalogue] (as Barent Fabritius). The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 167, 168 (ill.), 295-96, cat. 59, cat. by Victoria Sancho Lobis, et. al.

    Publications

    Daniel Catton Rich, “Two Drawings by Rembrandt,” Art Institute of Chicago Bulletin, XXIII, no. 4 (1929), p. 38–40 (ill., p. 38) (as Rembrandt). Daniël Pont, Barent Fabritius, 1624–1673 (The Hague, N. V. Drukkerij Trio, 1958), pp. 124–25, drawings, no. 7. (ill.) Otto Benesch, The Drawings of Rembrandt, 6 vols., ed. Eva Benesch (London: Phaidon, 1973), vol. IV, cat. No. A31, p. 227 (ill.) (fig. 1091) (as attributed to Rembrandt). Werner Sumowski, Bemerkungen zu O. Beneschs Corpus der Rembrandtzeichnungen II (Bad Pyrmont, 1961), p. 24, no. A31 (as possibly by Barent Fabritius). Werner Sumowski, Drawings of the Rembrandt School, ed. And trans. Walter L. Strauss (New York: Abaris Books, 1981), vol. 4, no. 854x S, p. 1858–59 (ill. P. 1859) (as attributed to Barent Fabritius).

    Quick Overview

    Artist
    Barent Fabritius / Dutch, 1624-1673
    Date
    1645/50
    Medium
    Pen and brown ink, with brush and brown wash and a touch of opaque white watercolor, ruled in pen and brown ink at all edges, on cream laid paper
    Dimensions
    18.2 × 16.5 cm (7 3/16 × 6 1/2 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Netherlands
    Department
    Prints and Drawings
    Credit line
    The Charles Deering Collection
    Accession no.
    1927.5192

    More by Barent Fabritius in museum collections

    • Abraham Dismissing Hagar and Ishmael

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      1658 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00014935

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00002908

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