
Public collection via the Art Institute of Chicago
AT-00003068Panorama from the Sasso
Inscriptions
Inscribed verso, center, in pen and brown ink: "lo sasso Claudio Gillee/I-V fecit"
Provenance
Probably the estate of the artist [Roethlisberger 1973]; probably sold to Queen Christina of Sweden, 1689 [Roethlisberger 1973]. Don Livio Odescalchi, Duke of Bracciano (died 1711), from 1692 [Roethlisberger 1973]; by descent through the Odescalchi family [Folds McCullagh 2000]; sold by Countess Maria Sanminiatelli Odescalchi, Rome, to Richard Feigen, April 15, 1980 [letter from Ann Guite of Richard Feigen of December 1, 2003 in the curatorial file]; sold to the Art Institute, 1980.
Exhibition history
Washington, D.C., The National Gallery of Art, "Claude Lorrain," October 17, 1982-January 2, 1983, cat. 40; also traveled to the Galeries Nationales du Grand Palais, Paris, February 15-May 16, 1983. The Art Institute of Chicago, "Great Drawings from The Art Institute of Chicago: The Harold Joachim Years 1958-1983," July 24-September 30, 1985, pp. 84-85, cat. 33 (ill.), cat. by Martha Tedeschi. Ohio, Cleveland Museum of Art, "From Fontainebleau to the Louvre: French Drawing from the 17th Century;" traveled to Cambridge, Mass., the Fogg Art Museum, February 24-April 18, 1990, cat. 33, cat by Hilliard T. Goldfarb. New York, The Frick Collection, "From Pontormo to Seurat: Drawings Recently Acquired by The Art Institute of Chicago," April 23-July 7, 1991, n.p., cat. 16 (ill.); traveled to The Art Institute of Chicago, September 10, 1991-January 5, 1992.
Publications
Marcel Roethlisberger, "Neun Zeichnungen von Claude Lorrain," Du 33 (July 1973), p. 516 (ill.). Marcel Roethlisberger, "A Panoramic View of Claude Lorrain," The Art Institute of Chicago Museum Studies 11 (Spring 1985), pp. 103-16 (ill.). James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 203 (ill.). Suzanne Folds McCullagh, “'A Lasting Monument’: The Regenstein Collection at The Art Institute of Chicago,” The Art Institute of Chicago Museum Studies 26, 1 (2000), p. 10. Suzanne Folds McCullagh, "From Maineri to Miró: The Regenstein Collection Since 1975," The Art Institute of Chicago Museum Studies 26:1 (2000), pp. 24-27, no. 6 (ill.). Treasures from The Art Institute of Chicago, selected by James N. Wood, with commentaries by Debra N. Mancoff (Chicago, 2000), p. 118 (ill.). The Essential Guide (Chicago, 2009), p. 293 (ill.). Shelley Perlove and George S. Keyes (editors). Seventeenth-Century European Drawings in Midwestern Collections (University of Notre Dame Press, 2014), pp. 226, fig. 6 (ill.)
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- Claude Lorrain / French, 1600-1682
- Date
- 1649/1655
- Medium
- Pen and brown ink with brush and brown wash, heightened with white gouache and traces of white chalk, over black chalk and graphite, on cream laid paper
- Dimensions
- 16.2 × 40.2 cm (6 7/16 × 15 7/8 in.)
- Type
- Drawing
- Classification
- pen and ink drawings
- Place
- France
- Department
- Prints and Drawings
- Credit line
- Helen Regenstein Collection
- Accession no.
- 1980.190
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