ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Landscape with Figures and Horses in the Foreground by Gillis Neyts
    Gillis Neyts. Landscape with Figures and Horses in the Foreground, 1638/87. The Art Institute of Chicago. Public domain (CC0).
    AT-00003219

    Public data from the Art Institute of Chicago. Learn more

    Landscape with Figures and Horses in the Foreground

    by Gillis Neyts

    Provenance

    Dr. Edward Peart (1756 or 58–1824), London and Butterwick [inscribed (Lugt 892), recto, lower left, in black]. Probably Dr. Curt Otto (1880–1929), Leipzig; sold, Boerner, Leipzig, Nov. 7, 1929, lot 107. Sold, Sotheby’s 14 November 1988, lot 26. Sold by Bob P. Haboldt, New York, to the Art Institute of Chicago, 1989.

    Inscriptions

    Signed recto, lower right, in pen and brown ink: "g.nyts.f."; verso, upper left, in graphite: “59572"; lower left, in graphite: “G. Nyts”

    Exhibition history

    The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 29 (ill.), 30, 306, 334, cat. 4, cat. by Victoria Sancho Lobis, et. al.

    Publications

    Pierre Gustot, Gillis Neyts: Un paysagiste Brabançon en vallée Mosane au XVIIe siècle (Namur: Musée des arts anciens du Namurois, 2008), D88, p. 176.

    Quick Overview

    Artist
    Gillis Neyts / Flemish, 1623-1687
    Date
    1638/87
    Medium
    Pen and brown ink on cream laid paper
    Dimensions
    14.1 × 10.6 cm (5 9/16 × 4 3/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Flanders
    Department
    Prints and Drawings
    Credit line
    Purchased with funds provided by Julius Lewis
    Accession no.
    1989.165

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00003219

    Powered by Art Trackers