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    Museum collections / Art Institute of Chicago
    Seated Female Nude
    Samuel van Hoogstraten. Seated Female Nude, 1647/78. The Art Institute of Chicago. Public domain (CC0).
    AT-00003238

    Public data from the Art Institute of Chicago. Learn more

    Seated Female Nude

    by Samuel van Hoogstraten

    Inscriptions

    Inscribed recto of mount, lower center, in graphite: "Diana by Rembrandt"; in graphite: "34 (in a circle) "58"; lower right corner, in graphite: "4454"; verso of mount: false Peter Lely mark; lower left, in graphite: "Skipe and Samuel van Hoogstraten, 1627–678"

    Provenance

    John Skippe.  Edward Holland Martin, Esquire.  Mrs. A. C. Rayner-Wood, by 1934 [Birmingham 1934 exh. cat.]; sold, Christie’s, Nov. 20–21, 1958, lot 272, to Dr. R. Schilling (for 150 pounds) [annotated sale catalogue and Baden-Baden 1968 exh. cat.].  Kurt Meissner (1909–2004), Zurich and Zolliken [stamp (Lugt 4665), on mount, recto, lower left, in black]. British Rail Pension Fund; sold by Lexbourne Ltd., London, to the Art Institute of Chicago, 1989.

    Exhibition history

    Birmingham, City of Birmingham Museum and Art Gallery, Commemorative Exhibition of the Art Treasures of the Midlands, 1934, p. 54, no. 203, as Rembrandt. London, Royal Academy of Arts, Drawings by Old Masters, Aug. 13–Oct. 25, 1953, vol. 1, no. 322. Baden-Baden, Staatliche Kunsthalle Baden-Baden, Handzeichnungen Alter Meister aus Schweizer Privatbesitz, Jan./Feb. 1968, p. 78, no. 158 (ill). [Werner Sumowski, author] Stanford, Stanford Art Gallery, 2 November–14 December 1969; Detroit, The Detroit Institute of Arts, 27 January–8 March 1970; New York, Finch College Museum of Art, 1 April–15 June 1970, Old Master Drawings from the Collection of Kurt Meissner (Stanford Art Book 10, Department of Art, Stanford University), no. 69, p. 73 (ill). Art Institute of Chicago, New Acquisitions: Old Master Drawings, Dec. 2, 1989–June 8, 1990, no cat. Art Institute of Chicago, From Pontormo to Seurat: Drawings Recently Acquired by the Art Institute of Chicago, Sept. 10, 1991–Jan. 5, 1992, n.p., cat. 14; also New York, Frick Collection, Apr. 23–July 7, 1991. The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 127 (ill.), 131, 302-3cat. 41, cat. by Victoria Sancho Lobis, et. al.

    Publications

    A.E. Popham, intro., Catalogue of the Well-known Collection of Old Master Drawings, Principally of the Italian School, formed in the 18th century by John Skippe, Now the Property of Edward Holland Martin, Esq. (London: Christie, Manson & Woods, Ltd., 1958), p. 193, lot no. 272, pl. 37. Werner Sumowski, Bemerkungen zu O. Beneschs Corpus der Rembrandtzeichnungen II (Bad Pyrmont, 1961), under no. 710, p. 14. Werner Sumowski, Drawings of the Rembrandt School, ed. And trans. Walter L. Strauss (New York: Abaris Books, 1981), vol. 5, no. 1252x , p. 2772–73 (ill. p. 2772 ).

    Quick Overview

    Artist
    Samuel van Hoogstraten / Dutch, 1627-1678
    Date
    1647/78
    Medium
    Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper
    Dimensions
    Primary support: 28.4 × 19.2 cm (11 3/16 × 7 9/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Holland
    Department
    Prints and Drawings
    Credit line
    Clarence Buckingham Collection
    Accession no.
    1989.203

    More by Samuel van Hoogstraten in museum collections

    • Resurrection of Christ

      Samuel van Hoogstraten

      c. 1665 · Painting

      Public collection via the Art Institute of ChicagoAT-00000905
    • The Annunciation of the Death of the Virgin

      Samuel van Hoogstraten

      ca. 1670 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00015158
    • The Adoration of the Shepherds

      Samuel van Hoogstraten

      early 1640s · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00018769

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00003238

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