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    Museum collections / Art Institute of Chicago
    Le Marquis de Puente-Fuerte by Jean-Baptiste Perronneau
    Jean-Baptiste Perronneau. Le Marquis de Puente-Fuerte, 1761–62. The Art Institute of Chicago. Public domain (CC0).
    AT-00003252

    Public data from the Art Institute of Chicago. Learn more

    Le Marquis de Puente-Fuerte

    by Jean-Baptiste Perronneau

    Provenance

    The artist to Pablo Antonio de Barrenechea y Novia, marquis de Puente Fuerte (1719–1770), The Hague [d’Arnoult 2014]; by descent to his second wife, Maria Francisca Barbara Ana von Reischach (1734–1812) [d’Arnoult 2014]. Paul Sohège, Paris, to at least 1896 [Tourneux 1896]. Sigismond Bardac, Paris; sold, Galerie Georges Petit, Paris, May 10–11, 1920, Bardac sale, lot 29. Jules Strauss (1861–1943), Paris, by 1927–at least 1933 [Paris 1927; Paris 1933]. Sold by Cesar de Hauke (1900–1965), Paris, to The Art Institute of Chicago, 1951.

    Inscriptions

    Signed upper right, in graphite: “Perronneau pinx”

    Exhibition history

    Paris, Hôtel Jean Charpentier, "Exposition de Pastels Francais des XVIIe et XVIIIe siècles," May 23–June 26, 1927, cat. 109. Paris, André J. Seligmann, "Exposition du Pastel Français du XVIIe siècle à nos jours," Nov. 18–Dec. 9, 1933, p. 36, cat. 40. Art Institute of Chicago, "Selected Works of 18th Century French Art in the Collections of The Art Institute of Chicago," Jan.–Mar. 28, 1976, pp. 58–59, cat. 48 (ill.).

    Publications

    Maurice Tourneux, “Jean-Baptiste Perronneau,” (part III), Gazette des Beaux-Arts XV (Apr. 1, 1896), p. 315 (ill.). Leandre Vaillat and Paul Ratouis de Limay, J.-P. Perroneau (1715–1783) sa Vie et Son Oeuvre (Paris, 1909), no. 183. Léandre Vaillat and Paul Ratouis de Limay, J.-P. Perroneau (1715–1783) Sa Vie et Son Oeuvre (Paris and Brussels, 1923), p. 204, no. 29, 234. Paul Ratouis de Limay, “L’Exposition de Pastels Francais du XVIIe et du XVIIIe Siecle,” Gazette des Beaux-Arts (January–June 1927), p. 333. Émile Dacier and Paul Ratouis de Limay, Pastels Français des XVIIe et XVIIIe siècles (Paris and Brussels: Les Éditions G. van Oest, 1927), p. 95, no. 88, pls. 2 and 62. Claude Roger-Marx, “Pastels Francais du XVIIe au XXe Siecle, “ L’Art Vivant, 179 (Dec. 1933), pp. 498–99 (ill.). Daniel Catton Rich, “In a Minor Key,” The Art Institute of Chicago Quarterly 47:2 (Apr. 1, 1953), p. 34 (ill.). Daniel Catton Rich, “In a Minor Key,” The Art Quarterly XVI:3 (Autumn 1953), p. 268–69 (ill.). Paul L. Grigaut, “Portrait of an Eighteenth Century Nobleman,” Bulletin of the Detroit Institute of Arts, 36:1 (1956–57), p. 6. Adolf Staring, “Hollandse werken van Liotard en Perronneau Een nalezing,” Oud Holland 74 (1959), p. 23, fig. 7. Paintings in The Art Institute of Chicago (Chicago, 1961), p. 353. Harold Joachim, French Drawings and Sketchbooks of the 18th Century (Chicago, 1979), no. 2D6. Neil Jeffares, Dictionary of Pastellists before 1800 (Unicorn Press, 2006), p. 407 (ill.). Dominique d’Arnoult, Jean-Baptiste Perronneau ca. 1715–1783: Un portraitiste dans l’Europe des Lumières (Arthena, 2014), pp. 280–281, no. 219 Pa (ill.).

    Quick Overview

    Artist
    Jean-Baptiste Perronneau / French, 1715-1783
    Date
    1761–62
    Medium
    Pastel on paper
    Dimensions
    69.9 × 56.5 cm (27 9/16 × 22 1/4 in.)
    Type
    Drawing
    Classification
    pastel
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Robert A. Waller Memorial fund
    Accession no.
    1951.225

    More by Jean-Baptiste Perronneau in museum collections

    • Portrait of a Young Boy with Blue Eyes by Jean-Baptiste Perronneau

      Portrait of a Young Boy with Blue Eyes

      Jean-Baptiste Perronneau

      c. 1750 · Drawing

      Museum collection · via the Art Institute of ChicagoAT-00005681

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00003252

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