Flower Clouds

Paris, Grand Palais, Salon d’automne, October 18-November 25, 1905, cat. 1311, as "Marine". Paris, Hôtel de Ville, "Cercle d’art moderne," June 1906, cat. 27, as "Barque". Paris, Galerie Barbazanges, "Odilon Redon," May 18- June 15, 1920, cat. 136, as "Barque au soleil couchant". Paris, Galerie H. Odermatt, Ph. Cazeau, "Maîtres des XIX et XX Siècles," May 4-July 28, 1990, cat. 8. The Art Institute of Chicago, "Odilon Redon: Prince of Dreams 1840-1916," July 2-September 18, 1994, no. 137, cat. by Douglas Druick, et al; the Van Gogh Museum, Amsterdam, October 20, 1994-January 15, 1995, and the Royal Academy of Arts, London, February 16-May 21, 1995. The Art Institute of Chicago, "The Broad Spectrum: Color on Paper, Past and Present," September 12–October 31, 1999, p. 256-257 (detail ill.). The Art Institute of Chicago, "Strange Realities: The Symbolist Imagination", October 4, 2025 - January 5, 2026.

Henry Eon, Le Siècle (October 17, 1905). Louis Vauxcelles, "Salle 1," Le Gil Blas (October 17, 1905). Aubry, Le Petit Havre (November 7, 1905). Quentin, Le Moniteur du XXème Siècle (November 5, 1905). Ètienne Charles, "Odilon Redon," La Liberté (March 24, 1906). M. Giry, "L’oeuvre de Redon et sa signification ver 1905," L’imformation d’histoire de l’art 2 (March-April 1970), p. 69. The Art Institute of Chicago Annual Report (1989-1990), p. 5 (ill.). "La Chronique des Arts. Principales Acquisitions des Musées en 1990," Gazette des Beaux-Arts (March 1991), p. 61 (ill.). James N. Wood and Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago, 1993), p. 215 (ill.). Oktavia Christ, "Wiederentdexkung eines Mystikers," Kunst und Antiquitäten (December 1994), p. 17 (ill.). J. Coignard, "Odilon Redon, Prince des Mystérieux Rêves," Beaux-Arts Magazine (December 1994), p. 92-93 (ill.). Alec Wildenstein, Odilon Redon, Catalogue raisonné de l’oeuvre peint et dessiné 3 (Paris, 1996), p. 352, no. 1954 (ill.). James Wood, Treasures from The Art Institute of Chicago (New York, 2000), p. 236 (ill.). Dario Gamboni, Potential Images: Ambiguity and Indeterminacy in Modern Art (2002). Harriet K. Stratis and Britt Salvesen (eds.), The Broad Spectrum: Studies in the Materials, Techniques, and Conservation of Color on Paper (London, 2002), pp. 265-157 (detail ill.). Gerald Bromme and Nancy Kinne, Exploring Painting (2002). The Essential Guide (Chicago, 2009), p. 307 (ill.).