Public collection via the Art Institute of Chicago
AT-00003374Woman with a Shawl
Inscriptions
Signed lower right: "Aug Rodin"
Provenance
Alfred Stieglitz (1864–1946), New York, around 1908 or 1910 [according to McCauley 2001]; Stieglitz Estate (Georgia O'Keefe (1887–1986), executor); given to the Art Institute, 1949.
Exhibition history
New York, Photo-Secession Gallery, January 2-21, 1908.
Publications
Camera Work (1911). Marius de Zayas and Francis M. Naumann, “How, When, and Why Modern Art Came to New York, Arts Magazine, 54:8 (April 1980), p. 98, fig. 4. Marius de Zayas, edited by Francis M. Naumann, How, When, and Why Modern Art Came to New York (Cambridge, Mass., 1996), pp. 3 and 245, fig. 6. Anne McCauley, "Auguste Rodin, 1908 and 1910: The Eternal Feminine," in Modern Art in America: Alfred Stieglitz and His New York Galleries (Washington, D.C., 2001), p. 77 and 494.
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Quick Overview
- Artist
- Auguste Rodin / French, 1840-1917
- Date
- n.d.
- Medium
- Watercolor and graphite, with stumping, on cream wove paper, laid down on cream Japanese vellum
- Dimensions
- 32.6 × 24.9 cm (12 7/8 × 9 13/16 in.)
- Type
- Drawing
- Classification
- watercolor
- Place
- France
- Department
- Prints and Drawings
- Credit line
- Alfred Stieglitz Collection
- Accession no.
- 1949.897
More by Auguste Rodin in museum collections
Open-access museum record · AT-00003374
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