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    Museum collections / Art Institute of Chicago
    Adoration of the Magi by Benedetto Caliari
    Benedetto Caliari. Adoration of the Magi, 1590/98. The Art Institute of Chicago. Public domain (CC0).
    AT-00003376

    Public data from the Art Institute of Chicago. Learn more

    Adoration of the Magi

    by Benedetto Caliari

    Inscriptions

    Inscribed recto, lower left near center, in pen and brown ink (Resta/Somers number): "l.130"; lower center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "Paolo Veronese"; lower center on mount, in graphite: "Carletto CALIARI"; inscribed verso, upper center on mount, in pen and brown ink (in J. Richardson, Sr.'s hand): "Y. 17"

    Exhibition history

    Art Institute of Chicago, "A Century of Progress: Exhibition of Paintings and Sculpture," June 1-Nov. 1, 1933, p. 86, cat. 798 (as Carlo Caliari).

    Publications

    Hans Tietze and Erica Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries (New York, 1944), p. 358, no. 2198. Luciana Crosato Larcher, "Per Gabriele Caliari," Arte Veneta 18 (1964), pp. 174-75. Luciana Crosato Larcher, "Per Carletto Caliari," Arte Veneta 21 (1967), pp. 108-24. Richard Cocke, "Observations on Some Drawings by Paolo Veronese," Master Drawings 11 (1973), pp. 138-49, pls. 1-15. Giulio Bora, I Disegni del Codice Resta (Bologna, 1976), under caption for no. 102 (as Carletto Caliari). Harold Joachim, Italian Drawins of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), pp. 27-28, no. 1D12 (as Carletto Caliari). Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 46, no. 51 (ill.).

    Quick Overview

    Artist
    Benedetto Caliari / Italian, 1538-1598
    Date
    1590/98
    Medium
    Pen and brown ink and black chalk, with brush and brown wash, heightened with gouache, on green laid paper, laid down on tan laid card
    Dimensions
    20.8 × 30.6 cm (8 1/4 × 12 1/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1922.12

    Provenance

    Probably Padre Sebastiano Resta (1635-1714), Milan [see Lugt 2992 and Lugt Suppl. 2993]. Probably Monsignor Giovanni Matteo Marchetti, Bishop of Arezzo (died 1704), Arezzo [see Lugt 2911]; probably bequeathed to his nephew, Cavaliere Orazio Marchetti, Pistoia; sold, probably through John Talman (died 1726), Hinkworth, Herfordshire [see Lugt 2462], to John, Lord Somers, London, 1710 [script (Lugt 2981)]; probably sold, Motteux, London, May 16, 1717. John Richardson, Sr. [script (Lugt 2983) verso, upper center on mount, in pen and brown ink and recto, lower center on mount, pen and brown ink]. Dr. William Ogle, London; sold, Sotheby's, London, Feb. 6, 1913, part of lot 179, as "P. Veronese, Adoration of the Magi" to Maggs Bros., London. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower left, and verso, center on mount, in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00003376

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