Battle Scene with Horses and Men

Art Institute of Chicago, "The Leonora Hall Gurley Collection of Drawings: Early Italian," Mar. 5-Apr. 30, 1922, cat. 4. Art Institute of Chicago, "Italian drawings in the Art Institute of Chicago," Apr. 17-July 31, 1980, pp. 24-25, no. 8, pl. 14 (as Luca Cambiaso); also, National Gallery of Art, Washington, D.C. Northhampton, Mass., Smith College Museum of Art, "Antiquity in the Renaissance," April 6-June 6, 1978, cat. by Wendy Stedman Sheard, cat. 46. Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," April 10, 1997-July 22, 1997.

Wilhelm Suida, "Tizian, die beiden Campagnola und Ugo da Carpi," Critica d'Arte 1 (1935-36), pp. 287. Ulrich Middeldorf, Manuscript for a catalogue of drawings, The Art Institute of Chicago (Chicago,1938-40), no. 122. Hans Tietze and Erica Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries (New York, 1944), p. 126, no. 451. Early Italian Engravings From the National Gallery of Art, exhibition cat. by Jay Levenson, Konrad Oberhuber, and Jacquelyn Sheehan (Washington, D.C., National Gallery of Art, 1973) p. 431. Wendy Steadman Sheard, Antiquity in the Renaissance, exhibiton cat., Smith College Museum of Art (Northampton, 1978), no. 46. Elisabetta Saccomani, "Alcune proposte per il catalogo dei disegni di Domenico Campagnola," Arte Veneta 32 (1978), pp. 106-11. Harold Joachim, Italian Drawings of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), p. 40, no. 1G7 (as Luca Cambiaso). Elisabetta Saccomani, "Domenico Campagnola: gli anni della maturità," Arte Veneta 34 (1980), pp. 63-77. Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), p. 65, no. 81 (ill.).