ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Saint Peter Brought before Nero
    Ercole Setti. Saint Peter Brought before Nero, n.d.. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00003386

    Saint Peter Brought before Nero

    by Ercole Setti

    View at the Art Institute of Chicago

    Inscriptions

    Inscription recto, on former secondary mount (GCI): "Massaccio. P&S 1/29/15"

    Provenance

    William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right, and verso, lower center on mount]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, lower center on mount, in black].

    Exhibition history

    Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," Apr. 12-June 22, 1997.

    Publications

    Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 225-26, no. 2691 (ill.).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Ercole Setti / Italian, 1530-1617
    Date
    n.d.
    Medium
    Pen and brown ink with brush and pale brown wash, with traces of black chalk, on ivory laid paper, laid down on ivory laid paper
    Dimensions
    26.2 × 40.5 cm (10 3/8 × 16 in.)
    Type
    Drawing
    Classification
    ink with wash
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1922.49

    More by Ercole Setti in museum collections

    • The Coronation of the Virgin

      Ercole Setti

      1575 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005940

    Open-access museum record · AT-00003386

    Powered by Art Trackers