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    Museum collections / Art Institute of Chicago
    Page Serving Wine or The Painter's Apprentice
    Parmigianino. Page Serving Wine or The Painter's Apprentice, 1530/40. The Art Institute of Chicago. Public domain (CC0).
    AT-00003594

    Public data from the Art Institute of Chicago. Learn more

    Page Serving Wine or The Painter's Apprentice

    by Parmigianino

    Inscriptions

    Inscribed verso, lower center on mount, in pen and black ink (in "Gurley" hand): "Federigo Zuccaro. / 1543 - 1609"

    Provenance

    Comte Moriz von Fries [embossed stamp (Lugt 2903) recto, lower left]. Dr. [J.B.] Ridley, Croydon, England; sold, Sotheby's, London, April 2, 1912, part of lot 223, as "F. Zucchero", to Maggs Bros., London. William F. E. Gurley (1854–1943), Chicago [stamp (Lugt 5308), recto, lower right in black]; given to the Art Institute of Chicago for the Leonora Hall Gurley Memorial Collection, 1922 [stamp (Lugt 1230b), verso, center on mount, in black].

    Exhibition history

    Art Institute of Chicago, "151 Italian Drawings from The Art Institute of Chicago," Dec. 1979-Mar. 1980, cat. 17, pl. 21, cat. by Harold Joachim and Suzanne Folds McCullagh; also traveled to the National Gallery of Art, Washington D.C. Art Institute of Chicago, "Drawings Rediscovered: Italian Drawings before 1600 in The Art Institute of Chicago," Apr. 12-June 22, 1997.

    Publications

    Karl T. Parker and Jacques Mathey, Antoine Watteau: Catalogue Complet de son Oeuvre Dessiné, 2 vols. (Oxford, 1956). Arthur Ewart Popham, Catalogue of the drawings of Parmigianino (New Haven, 1971), vol. 1, p. 60, no. 58 and vol. 3, pl. 441 (as "Parmigianino, a Youth, Senn from the Back, Standing in Front of a Pedestal, on which stand Three ewers and a Glass"). Joachim Harold and Susanne Folds McCullagh, Italian Drawings of the 15th, 16th, and 17th Centuries, The Art Institute of Chicago (Chicago, 1979), p. 31, no. 17, pl. 21 and pp. 52-53, no. 2B8. E. James Mundy, "A Long Lost Parmigianino Drawing Rediscovered," Master Drawings 29 (1981), pp. 15-17. Diane De Grazia, "Correggion and his Legacy: Further Observations," Master Drawings 23-24 (1986), pp. 199-204. Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 171-72, no. 221 (ill.).

    Quick Overview

    Artist
    Francesco Mazzola, called Parmigianino / Italian, 1503-1540
    Date
    1530/40
    Medium
    Pen and brown ink on tan laid paper, laid down on cream board
    Dimensions
    17.3 × 11.5 cm (6 13/16 × 4 9/16 in.)
    Type
    Drawing
    Classification
    pen and ink drawings
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1922.1054

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    • Woman Delousing a Child

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    • Crucifixion

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    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00003594

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