ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Portrait of a Seated Ecclesiastic and a Standing Boy
    Bernardo Castello. Portrait of a Seated Ecclesiastic and a Standing Boy, c. 1610. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00004128

    Portrait of a Seated Ecclesiastic and a Standing Boy

    by Bernardo Castello

    View at the Art Institute of Chicago
    Publications

    Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1997), pp. 78-9, no. 97 (ill.).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Bernardo Castello / Italian, 1557-1629
    Date
    c. 1610
    Medium
    Pen and brown ink with brush and brown and gray wash, over traces of graphite, on ivory laid paper laid down on ivory laid paper
    Dimensions
    14.5 × 12.1 cm (5 3/4 × 4 13/16 in.)
    Type
    Drawing
    Classification
    ink with wash
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    The Leonora Hall Gurley Memorial Collection
    Accession no.
    1922.2248

    More by Bernardo Castello in museum collections

    • Two Seated Kings of Judah; Josiah and Hezekiah

      Bernardo Castello

      1591 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00002155
    • Solomon and the Queen of Sheba (recto); Sketch of the Queen of Sheba (verso)

      Bernardo Castello

      1590/99 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004605
    • Sketches of Seated Warrior, Various Figures

      Bernardo Castello

      1585/95 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00005167
    • Illustration from Torquato Tasso's Gerusalemme Liberata

      Bernardo Castello

      1586–90 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00012012

    Open-access museum record · AT-00004128

    Powered by Art Trackers