ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine
    Frederic Remington. "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine, n.d.. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00004439

    "As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine

    by Frederic Remington

    View at the Art Institute of Chicago

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Frederic Remington / American, 1861-1909
    Date
    n.d.
    Medium
    Brush and black gray wash heightened with white gouache over graphite, on cream laminate board
    Dimensions
    34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)
    Type
    Drawing
    Classification
    ink or chalk wash
    Place
    United States
    Department
    Prints and Drawings
    Credit line
    George F. Harding Collection
    Accession no.
    1982.1583

    More by Frederic Remington in museum collections

    • The Wicked Pony

      Frederic Remington

      1898, cast before 1939 · Sculpture

      Public collection via the Metropolitan Museum of Art

      AT-00000455
    • The Wounded Bunkie

      Frederic Remington

      1896, cast before 1939 · Sculpture

      Public collection via the Metropolitan Museum of Art

      AT-00000456
    • The Interpreter Waved at the Youth

      Frederic Remington

      c. 1900 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001398
    • Ceremony of the Fastest Horse

      Frederic Remington

      c. 1900 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001399

    Open-access museum record · AT-00004439

    Powered by Art Trackers