ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    The Flight Into Egypt
    Jean François Millet. The Flight Into Egypt, c. 1864. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005700

    The Flight Into Egypt

    by Jean François Millet

    View at the Art Institute of Chicago

    Provenance

    Estate of the artist; sold, Hôtel Drouot, Paris, May 10-11, 1875, Millet sale, probably lot 202, to Febvre [letter from Jill Newhouse of Sept. 24, 1996 in curatorial file]. John Pierpont Morgan Sr. (1837-1913), New York [New York 1972 auc. cat.]; by descent to his daughter, Mrs. Herbert L. Satterlee (née Louisa Pierpont Morgan, 1900-1946), New York [handwritten note on the back of the frame by Philip Kappel of Apr. 22, 1948]; by descent to her husband, Herbert L. Satterlee (1863-1947), New York; sold, Parke-Bernet, New York, Apr. 22, 1948, lot 2. Philip Kappel (1901-1981), New Milford, Conn. [New York 1972 auc. cat.]. Mrs. Frasier McCann, New York; sold, Sotheby's, New York, Dec. 5, 1975, lot 171, to Gallery Iida, Tokyo [Newhouse letter; Williamstown, Mass. 1996]. Private collection, Tokyo, until around 1996 [Newhouse letter]. Sold by Jill Newhouse, New York, to the Art Institute of Chicago, 1996.

    Exhibition history

    Hyogo, Japan, Museum of Modern Art, "Millet, Corot, and the School of Barbizon," April 19-May 8, 1980, cat. D12, cat. by Annie Paule Quinsac; also traveled to the Seibu Museum, Tokyo, March 15-April 14, 1980; The Hokkaido Museum of Modern Art, Sapporo, Japan, May 24-June 15, 1980; The Hiroshima Prefectural Museum, June 21-July 13, 1980; and The Kitakyushu Museum, Kitakyushu, Japan, July 19-August 10, 1980. Williamstown, Mass., Sterling and Francine Clark Art Institute, "Jean-François Millet: Drawn into the Light," June 18-September 7, 1999, cat. 63, cat. by Alexandra Murphy, et. al. Art Institute of Chicago, "Seurat and the Making of "La Grande Jatte," June 19–September 19, 2004, no cat.

    Publications

    Alfred Sensier, La vie et l’oeuvre de J.-F. Millet (Paris, 1881), pp. 246-8. Étienne Moreau-Nélaton, Millet raconté par lui-même, vol. II (Paris, 1921), p. 155, fig. 191. Arts Council of Great Britain, Jean-François Millet, (London, 1976), p. 153. "Maineri to Miró: The Regenstein Collection Since 1975," The Art Institute of Chicago Museum Studies 26:1 (2000), pp. 70-71, no. 30 (ill.). The Art Institute of Chicago, Treasures from The Art Institiute of Chicago (Chicago, 2000), p. 196 (ill.). Lucien Lepoittevin, Jean-François Millet, (2002).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jean François Millet / French, 1814-1875
    Date
    c. 1864
    Medium
    Black and brown Conté crayon, with pen and black ink and traces of black pastel, over gray washes, on cream wove paper, edge-mounted on laminated woodpulp board
    Dimensions
    31.7 × 40.7 cm (12 1/2 × 16 1/16 in.)
    Type
    Drawing
    Classification
    conté crayon
    Place
    France
    Department
    Prints and Drawings
    Credit line
    The Regenstein Collection
    Accession no.
    1996.608

    More by Jean François Millet in museum collections

    • Geese in a Farmyard

      Jean François Millet

      c. 1871 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00000176
    • The Woodchopper

      Jean François Millet

      c. 1848–1850 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00000180
    • First Steps

      Jean François Millet

      c. 1859–66 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00000328
    • The Keeper of the Flock

      Jean François Millet

      1871–74 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000568

    Open-access museum record · AT-00005700

    Powered by Art Trackers