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The Miracle of the Ticino River
Provenance
Unidentified collector, blindstamp “E.A.M.” [not in Lugt], recto, lower left in margin. With Edward A. and Inge Maser, Chicago, at least since 1956 [Wiles 1964, p. 406, note 1]; given to the Art Institute, 1997.
Exhibition history
University of Chicago, Department of Art History, 1956. The Art Institute of Chicago, "Chicago Collectors," September 20-October 27, 1963, p. 5 (as preparatory drawing for the painting in the Cathedral of Milan, c. 1610). The St. Louis Art Museum, "Italian Drawings selected from Mid-Western Collections," February 25-April 16, 1972, cat. 22 (ill.), cat. by Nancy Ward Nielson.
Publications
Bertha H. Wiles, "An Unpublished Design by Camillo Procaccini," Master Drawings, vol. 2, no. 4 (Winter, 1964), pp. 401-07 and 455 (ill.) (as preparatory drawing for the painting in the Pisani Chapel, in the church of San Nicolò dei Tolentini, Venice). Nancy Ward Nielson, Camillo Procaccini: Paintings and Drawings (New York and London, 1979), p. 130 (ill.).
Quick Overview
- Artist
- Camillo Procaccini / Italian, 1555-1629
- Date
- 1610/1619
- Medium
- Red chalk on beige laid paper
- Dimensions
- 16.2 × 12.6 cm (6 7/16 × 5 in.)
- Type
- Drawing
- Classification
- chalk
- Place
- Italy
- Department
- Prints and Drawings
- Credit line
- Gift from the Edward A. and Inge Maser Collection
- Accession no.
- 1997.439
More by Camillo Procaccini in museum collections
Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00005714
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