Daedalus and Icarus

Leicester Museum, "Old Master Drawings," 1952, cat. 55. Leicester Museum, "The Ellesmere Collection of Old Master Drawings," 1954, cat. 97, pl. 23, cat. by Peter A. Tomory. Los Angeles County Museum of Art, "Old Master Drawings from American Collections," 1976, p. 90, cat. 106a, cat. by Ebria Feinblatt. The Art Institute of Chicago, "Gifts of a Lifetime," 1998–99, checklist 2. The Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, pp. 26-27, cat. 3 (ill.). The Art Institute of Chicago, "Strokes of Genius: Italian Drawings from the Goldman Collection," November 1, 2014-February 1, 2015.

Catalogue of the Ellesmere Collection of Drawings at Bridgewater House (London, 1898), no. 117. Frederick Hartt, Giulio Romano (New Haven, Conn., 1958), pp. 278, 305, cat. 297. Licia Ragghianti Collobi, Il libro de’ disegni del Vasari 1 (Vallecchi, 1974), p. 129, fig. 401. Catherine Monbeig Goguel, “À Propos de Vasari historien et collectionneur: Giulio Romano et Giorgio Vasari; Le Dessin de La Chute d‘Icare,” Revue du Louvre et des Musées de France 29:4 (1979), pp. 273–76, fig. 3. Renato Berzaghi, “La camera dei Cavalli,” in Giulio Romano (Electa, 1989), p. 426. Stefania Massari, Giulio Romano pinxit et delineavit (Fratelli Palombi, 1993), p. 322, fig. 134. Aidan Weston-Lewis, “Orazio Gentileschi’s Two Versions of ‘The Finding of Moses Reassessed,’” in Orazio Gentileschi at the Court of Charles I, ed. Gabriele Finaldi (London, 1999), p. 45. n. 27. Janet Cox-Rearick, Giulio Romano Master Designer, exh. cat. (New York, 1999), pp. 22–25, fig. 7.