The Greatest Love of Don Juan

Brussels, "VIme Exposition de XX avec un Préambule," 1889, as Les Diaboliques, d’après J. Barbey d’Aurevilly. Musée d’Ixelles, "Félicien Rops," 1969, cat. 100. Namur, "Félicien Rops," 1971. Oostende, "Opera Prohibita, Félicien Rops," 1971. Knokke, Casino, "Le Symbolisme en Belgique," 1974. Cultural Center of New York, "Painters of the Mind’s Eye, Belgian Symbolists and Surrealists," 1974; also traveled to the Museum of Fine Arts in Houston. Rotterdam, Museum Boymans-van Beuningen, ‘Le Symbolisme en Europe," November 14, 1975- January 11, 1976, cat. 197b; also traveled to the Musées Royaux des Beaux-Arts de Belgique in Brussels, Staatische Kunsthalle in Baden-Baden; and the Galeries Nationales du Grand Palais, Paris. Gent, Museum voor Schone Kunsten, "Veertig Kunstenaars rond Karel van de Woestijne," January 20-March 11, 1979, cat. 27. New York, Brooklyn Museum, "Belgian Art 1880-1914," 1980, cat. 80. Brussels, Le Botanique, "Félicien Rops," March 1-April 28, 1985, cat. 172; also traveled to the Musée des Arts Decoratifs, Paris, June 6-July 21, 1985; and the Musée des Beaux-Arts, Nice, July 31-October 15, 1985. The Art Institute of Chicago, "Becoming Edvard Munch: Influence, Anxiety and Myth", February 14-April 26, 2009, pp. 81, 86-87, fig. 88, cat. by Jay A. Clarke The Art Institute of Chicago, "Undressed: The Fashion of Privacy", June 22-September 29, 2013 The Art Institute of Chicago, "Strange Realities: The Symbolist Imagination", October 4, 2025 - January 5, 2026.

O. Mirbeau, Félicien Rops (Brussels, 1897), p. 130. C. Lemonnier, Félicien Rops (Paris, 1908). C. Mascha, Félicien Rops und sein Werk (Munich, 1910), pp. 336-339. A. Fontainas, Rops (Paris, 1925), pp. 115-119. Robert Delevoy, Gilbert Lascault, Jean-Pierre Verheggen and Guy Cuvelier, Félicien Rops (Brussels, 1985), p. 198 (ill.).