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    Museum collections / Art Institute of Chicago
    Counted Out
    George Bellows. Counted Out, 1912. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005773

    Counted Out

    by George Bellows

    View at the Art Institute of Chicago

    Inscriptions

    Signed, lower right: "—Geo Bellows—";

    Provenance

    Estate of the artist, from 1925. Frank Rehn Galleries, New York, c. 1928. Sam A. Lewisohn (1884–1951), New York, c. 1928; by descent to his wife, Margaret Seligman Lewisohn (1895–1954), New York; by descent to her daughter, Mrs. Virginia Kahn [all provenance Washington D.C. 1982–83]. Sold by Robert M. Light, Boston, to Dorothy Braude Edinburg, Brookline, MA., June 1, 1966; given to the Art Institute, 1998.

    Exhibition history

    Philadelphia, Pennsylvania Academy of Fine Arts, "19th Annual Philadelphia Water Color Exhibition," Nov. 6–Dec. 11, 1921, cat. 653, p. 60, as Counted Out. (It is not known whether the drawing or lithograph of this title was included in the show.). New York, Frank Rehn Galleries, "Exhibition by George Bellows," Jan. 2–21, 1928. New York, Frederick Keppel and Company, "Drawings by George Bellows," Mar. 20–Apr. 20, 1929, cat. 9, as The Last Count. New York, Metropolitan Museum of Art, "The Lewisohn Collection," Nov. 2–Dec. 2, 1951, cat. 100, p. 19, as The Knockout. Cambridge, MA., Fogg Art Museum, Harvard University, Dec. 9, 1967–Mar. 29, 1967. Waltham, MA., Dreitzer Gallery, Brandeis University, "50 Drawings by 50 Modern Masters," Feb. 22–Apr. 5, 1970, no cat. Boston, Institute of Contemporary Art, 1979. Washington D.C., National Gallery of Art, "Bellows: The Boxing Pictures," Sept. 5, 1982–Jan. 2, 1983, cat. 10, fig. 63, p. 56, as Counted Out, cat. by E.A. Carmen, Jr., et. al.. Art Institute of Chicago, "Drawn to Form: Modern Drawings from the Dorothy Braude Edinburg Collection," June 11–Sept. 7, 1999, cat. 3. Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, p. 204, cat. 151 (ill.). Art Institute of Chicago, "Modern in America: Works on Paper, 1900-1950s," Jan. 30-May 3, 2010, no cat.

    Publications

    L. C. Moise, “The Last Ounce,” American Magazine (Apr. 1913), p. 75 (ill.). Charlene Stant Engel, George W. Bellows’ Illustrations for the “Masses” and Other Magazines and the Sources of His Lithographs of 1916–1917, Ph.D. thesis, University of Wisconsin-Madison, 1976, p. 130. Jane Myers and Linda Ayres, George Bellows: The Artist and His Lithographs, 1916-1924 (Fort Worth, Tex., 1988), p. 87. George Bellows: The Boxing Lithographs (New York, 1988), under no. 8. Lauris Mason and Joan Ludman, The Lithographs of George Bellows: A Catalogue Raisonné (San Francisco, 1992), p. 158. George Bellows (1882–1925): Lithographs from the Collection of Dr. and Mrs. Harold Rifkin (New York, 1999), under no. 5. Judith A. Barter et al., "American Modernism at the Art Institute of Chicago, From World War I to 1955," (Art Institute of Chicago/Yale University Press, 2009), cat. 15.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    George Wesley Bellows / American, 1882-1925
    Date
    1912
    Medium
    Lithographic crayon and charcoal, with brush and black ink, scraping and smudging, over touches of graphite on cut and pieced cream wove papers, laid down on ivory wove paper
    Dimensions
    64.8 × 52.6 cm (25 9/16 × 20 3/4 in.)
    Type
    Drawing
    Classification
    charcoal
    Place
    United States
    Department
    Prints and Drawings
    Credit line
    Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
    Accession no.
    1998.721

    More by George Bellows in museum collections

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    • Love of Winter

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      AT-00001470
    • Dance at Insane Asylum

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      AT-00002401
    • Boy in a Blue Coat

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      Public collection via the Cleveland Museum of Art

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    Open-access museum record · AT-00005773

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