Coronation of the Virgin, with the Martyrdom of Saint Lawrence

International Exhibitions Foundation, "Old Master Drawings from Chatsworth, A Loan Exhibition from the Devonshire Collection," 1969, pp. 35–37, cat. 74 (ill.); shown in Washington, Philadelphia, New York, Toronto, Chicago, Los Angeles, San Francisco, Kansas City, Providence, and Houston, and London, Aarhus Kunstmuseum, "Mestertegninger fra Chatsworth," Sept. 8–30, 1973, p. 17, cat. 44. Milwaukee Art Museum, "Renaissance into Baroque, Italian Master Drawings by the Zuccari, 1550–1600," Nov. 17, 1989-Jan. 14, 1990, pp. 192–95, cat. 60 (ill.). Art Institute of Chicago, "Gifts of a Lifetime, Old Master Drawings," Dec. 11, 1998-Mar. 30, 1999, checklist no. 8. Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, pp. 29-29, cat. 4 (ill.).

Cristina Acidini Luchinat, "Federico Zuccari e l'inspirazione dantesca nella Cupola del Duomo di Firenze" in Federico Zuccari e Dante, exh. cat. (Milan: Electa, 1993), p. 47 (ill.). J.A. Gere, “Two of Taddeo Zuccaro’s last commissions, completed by Federico Zuccaro. II: The High Altarpiece in S. Lorenzo in Damaso,”Burlington Magazine CVIII (1966): pp. 341–45, p. 341 n.6. Michael Jaffé, The Devonshire Collection of Italian Drawings, Roman and Neapolitan Schools, vol. 2 (London: Phaidon Press, 1994), p. 238, cat. 384, ill.. Cristina Acidini Luchinat, Taddeo e Federico Zuccari: fratelli pittori del Cinquecento, 2 vols. (Milan, Jandi Sapi Editori, 1998), vol. 1, p. 282 n. 49. Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), pp. 28-29, cat. 4 (ill.).