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    Museum collections / Art Institute of Chicago
    The Three Judges
    Honoré Daumier. The Three Judges, 1858/60. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005801

    The Three Judges

    by Honoré Daumier

    View at the Art Institute of Chicago

    Provenance

    Possibly M. Guyotin, by 1888 [according to Alexandre 1888]. Behrens, Hamburg [according to Fuchs 1927]. Baron von Simolin, Berlin, by 1927 [according to Fuchs 1927]. Knoedler and Company, New York [according to Paris 1999]. Sold, Gutekunst & Klipstein, Bern, November 24, 1955, lot 5, to Conrad Bareiss, Zurich [according to a letter from Walter Bareiss dated March 19, 2003 in curatorial file]; given by Conrad Bareiss to his son, Walter Bareiss, Greenwich, Conn., 1958 [according to Walter Bareiss]; Walter Bareiss, to around 1968 [according to Walter Bareiss]. Sold by E. V. Thaw and Company, New York, to the Art Institute, 1968.

    Exhibition history

    Geneva, Musée d'Art et d'Histoire, "Tableaux, Dessins et Sculptures de l'Ecole Française du 19ème Siècle," 1918, cat. 154. Munich, Neue Staatsgalerie München, "Sammlung Walter Bareiss," 1965. Palm Beach, Fla., Society of Four Arts, "Drawings from The Art Institute of Chicago," January 5–27, 1974, cat. 9 (ill.). The Art Institute of Chicago, "The Helen Regenstein Collection of European Drawings," 1974, pp. 138-39, cat. 68 (ill.), cat. by Harold Joachim. The Art Institute of Chicago, "The Regenstein Collection of European Drawings," 1985-1986. Ottawa, Canada, Musée des Beaux-Arts, "Daumier," June 11-September 6, 1999, cat. 286. London, Royal Academy of Arts, "Daumier: Visions of Paris", October 26, 2013 - January 26, 2014, pp. 16, 140-141, cat. 77 (ill.).

    Publications

    Arsene Alexandre, Honoré Daumier, l'Homme et l'Oeuvre (Paris, 1888) p. 378. Eduard Fuchs, Der Maler Daumier (Munich, 1927), no. 192a (ill.). The Art Institute of Chicago Annual Report, (1967-1968) (ill.). K. E. Maison, Honoré Daumier: Catalogue Raisonné of the Paintings, Drawings, and Watercolors, 2 (Greenwich, Conn., 1968), no. 641 (ill.). John Maxon, The Art Institute of Chicago (London, 1970), p. 154 (ill.). Harold Joachim, French Drawings and Sketchbooks of the Nineteenth Century in The Art Institute of Chicago (Chicago, 1979), p. 44, no. 2D4. Richard Brettell, French Salon Artists 1800-1900 (Chicago, 1987), pp. 41-43, and 117 (ill.). Margaret Haggstrom and Judy Fromer, Portes Ouvertes (1997).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Honoré Victorin Daumier / French, 1808-1879
    Date
    1858/60
    Medium
    Watercolor and brush and black gouache, with charcoal, heightened with gray gouache, over touches of graphite, on ivory laid paper
    Dimensions
    36.3 × 53.8 cm (14 5/16 × 21 3/16 in.)
    Type
    Drawing
    Classification
    watercolor
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Helen Regenstein Collection
    Accession no.
    1968.160

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    Open-access museum record · AT-00005801

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