ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    The Adoration of the Shepherds
    Gerrit van Battem. The Adoration of the Shepherds, late 1650s. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005895

    The Adoration of the Shepherds

    by Gerrit van Battem

    View at the Art Institute of Chicago

    Inscriptions

    Signed recto, lower right, in opaque white watercolor: "Battem"; lower left on mount, in graphite: "N 144"

    Provenance

    Possibly Louis Fabritius Dubourg (1693–1775), Amsterdam; sold, Amsterdam, Jan. 15, 1776, lot 82; Van den Brande (possibly Johan Pieter van den Brande (1707–1758)), Middelburg; by descent to E. C. Baron van Pallandt, Haarlem; sold, Mak van Waay, Amsterdam, Sept. 26, 1972, lot 275, to Mr. Saam Nijstad (1922–2011) and Mrs. Lily Nijstad-Einhorn, The Netherlands; sold, Sotheby’s, Amsterdam, May 19, 2004, lot 111, to Dorothy Braude Edinburg, Brookline, Mass.; given to the Art Institute of Chicago, 2013.

    Exhibition history

    Amsterdam, Rembrandthuis, Kleur en Raffinement: Tekeningen uit de Unicorno collectie, Mar. 19–May 29, 1994, p. 62–63, cat. 19 (ill.); also Dordrechts Museum, Oct. 22, 1994–Jan. 15, 1995. Art Institute of Chicago, Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, June 3–July 30, 2006, p. 49, cat. 22(ill.). Art Institute of Chicago, The Thrill of the Chase: Drawings for the Harry B. and Bessie K. Braude Memorial Collection, Mar. 15–June 15, 2014, no cat. The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 33 (ill.), 43, 288, 328, cat. 6, cat. by Victoria Sancho Lobis, et. al.

    Publications

    Keith Andrews, “‘Ein Rotterdamer Maler und Radierer geringer Ordnung’: On Some Gouaches by Gerrit van Battem,” in Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on His Sixtieth Birthday (Davaco, 1983), p. 25. H. Verbeek, “Gerrit Battem: Constrijck Schilder, 1636–1684” (Ph.D. dissertation, University of Leiden, 1983), p. 23, cat. Hb 3.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Gerrit van Battem / Dutch, c. 1636-1684
    Date
    late 1650s
    Medium
    White and gray opaque watercolor and black ink on cream laid paper prepared with brown wash
    Dimensions
    19.5 × 22.8 cm (7 11/16 × 9 in.)
    Type
    Drawing
    Classification
    prints and drawing
    Place
    Netherlands
    Department
    Prints and Drawings
    Credit line
    Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
    Accession no.
    2013.895

    More by Gerrit van Battem in museum collections

    • The Crucifixion

      Gerrit van Battem

      mid-1600s · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00011822

    Open-access museum record · AT-00005895

    Powered by Art Trackers