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    Museum collections / Art Institute of Chicago
    The Woodcutters
    Gustave Courbet. The Woodcutters, 1860. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005902

    The Woodcutters

    by Gustave Courbet

    View at the Art Institute of Chicago

    Inscriptions

    Signed recto, lower right, in pen and brown ink: "G. Courbet"; inscribed recto, along bottom in graphite: "Aus Sammlung / Dr. Hermann Eißler, Wien / Hugo Helbing, München 18.II.930 / durch Otto Nathan [?] 18. II. 930 / Ludwigs Galerie / Gustave Courbet (1819–77) / Die Holzfäller / Kohle / voll bez.; lower right, in graphite: 4 / 1500. / +20%"

    Provenance

    Dr. Hermann Eißler, Vienna. Sold, Hugo Helbing, Munich, Feb. 18, 1930, lot 28. Ludwigs Galerie (Dr. Otto Nathan), Munich. Dr. Heinrich Stinnes (1867-1932), Cologne [stamp (Lugt 1376a) recto, lower left, in red (twice) and stamp (Lugt 1376d) recto, lower left and lower right, in red]. Sold, Stuttgarter Kunstkabinet, May 5, 1962, lot 639, as Holzarbeiter im Walde. Sold, Sotheby’s, London, Dec. 5, 1984, lot 304, to Dorothy Braude Edinburg, Brookline, MA; given to the Art Institute of Chicago, 2012.

    Exhibition history

    Ornans, Musée Gustave Courbet, "Dessins, destins: Gustave Courbet," July-Aug. 1982, cat. 23. Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, pp. 110-111, cat. 74 (ill.).

    Publications

    Georges Riat, Gustave Courbet: Peintre (Paris: H. Floury, 1906), p. 168. Theodore Duret, “Courbet: Graveur et illustrateur,” Gazette des Beaux Arts 3, 40 (1908), pp. 428–29. Linda Nochlin, Gustave Courbet: A Study of Style and Society (Garland, 1976), p. 148, fig. 83. Robert Fernier, La Vie et oeuvre de Gustave Courbet, vol. 2 (Bibliothèque des arts, 1978), p. 300, no. 47. Petra ten-Doesschate Chu, “Gustave Courbet: Illustrator,” Drawing 2, 4 (Nov.–Dec., 1980), p. 81. Heather McPherson, “Une ‘Allégorie Reelle’: Courbet’s 1859 Frontispiece for Champfleury’s Les Amis de la nature,” Nineteenth Century Studies 9 (1995), p. 38. Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), pp. 110-111, cat. 74 (ill.).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Gustave Courbet / French, 1819–1877
    Date
    1860
    Medium
    Charcoal and black chalk, with stumping, scraping, and erasing, on buff wove paper, altered to tan
    Dimensions
    57.7 × 46.1 cm (22 3/4 × 18 3/16 in.)
    Type
    Drawing
    Classification
    prints and drawing
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
    Accession no.
    2012.76

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    Open-access museum record · AT-00005902

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