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    Museum collections / Art Institute of Chicago
    Wooded Landscape with Village Scene
    Thomas Gainsborough. Wooded Landscape with Village Scene, early 1770s (not later than 1772). The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00005915

    Wooded Landscape with Village Scene

    by Thomas Gainsborough

    View at the Art Institute of Chicago

    Provenance

    Sir Michael Ernest Sadler (1861-1943), Oxford by 1939 [Woodall 1939]. Sold by the Fine Art Society to J. Leslie Wright (1862–1954), 1948 [Hayes 1971]; bequeathed to the Birmingham City Art Gallery with life-interest to his daughter, Mrs. Dorian A. Williamson, 1953 [Hayes 1971]; Mrs. Dorian A. Williamson, until at least 1971 [Hayes 1971]. Sold, Sotheby’s, London, Nov. 24, 1977, lot 112, to Thomas Agnew and Sons, London; sold to Dorothy Braude Edinburg, Brookline, MA. Jan. 1978 [invoice]; given to the Art Institute of Chicago, 2012.

    Exhibition history

    London, Royal Academy, 1772, cat. 99. London, Leicester Galleries, "Selected Paintings, Drawings and Sculpture from the Collection of the Late Sir Michael Sadler," Jan.–Feb., 1944, p. 12, cat. 64. London, Royal Academy, "Masters of the British Water-Colour—The J. Leslie Wright Collection," Oct.-Nov. 1949, cat. 79. London, Arts Council of Great Britain, "The Romantic Movement," July-Sept. 1959, cat. 698. London, Arts Council of Great Britain, "Gainsborough Drawings," 1960–61, cat. 24, pl. IV. Art Institute of Chicago, "Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection," June 3–July 30, 2006, pp. 70-71, cat. 42 (ill.).

    Publications

    Mary Woodall, Gainsborough’s Landscape Drawings (London, 1939), p. 126, cat. 282. John Hayes, The Drawings of Thomas Gainsborough (London, 1971), p. 189, cat. 347, pl. 286. John Hayes, The Landscape Paintings of Thomas Gainsborough, vol. 2 (Ithaca, NY, 1982), pp. 444 and 445, fig. 100a. Jonathan P. Derow, “Gainsborough’s Varnished Watercolor Technique,” Master Drawings, 26:3 (Autumn 1988), pp. 269, 271 nos. 26, 49. Suzanne Folds McCullagh (ed.), Drawings in Dialogue: Old Master Through Modern, The Harry B. and Bessie K. Braude Memorial Collection, exh. cat. (Chicago: The Art Institute of Chicago, 2006), pp. 70-71, cat. 42 (ill.).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Thomas Gainsborough / English, 1727–1788
    Date
    early 1770s (not later than 1772)
    Medium
    Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again
    Dimensions
    43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)
    Type
    Drawing
    Classification
    prints and drawing
    Place
    England
    Department
    Prints and Drawings
    Credit line
    Gift of Dorothy Braude Edinburg to the Harry B. and Bessie K. Braude Memorial Collection
    Accession no.
    2012.80

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    • A Woodman Seated on a Bundle of Faggots

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    • Wooded Landscape with Stream

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    Open-access museum record · AT-00005915

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