Café-Concert (The Spectators)

The Art Institute of Chicago, "Degas in The Art Institute of Chicago," May 23–August 12, 1984, cat. S.10. The Art Institute of Chicago, "Degas: At the Track, On the Stage", July 1, 2015-February 26, 2016, no cat.

Georges Grappe, Edgar Degas (Paris, 1908), p. 13 (ill.). Paul-André Lemoisne, Degas et son oeuvre II (Paris, 1946), pp. 390 and 391, no. 688 (ill.). Eugenia Parry Janis, "The Role of the Monotype in the Working Method of Degas I," The Burlington Magazine 109:766 (January 1967), p. 29, fig. 54. Eugenia Parry Janis, “The Role of the Monotype in the Working Method of Degas II,” The Burlington Magazine 109:767 (February 1967), p. 76, note 28. Eugenia Parry Janis, Degas Monotypes: Essay, Catalogue & Checklist (Cambridge, Mass., 1968), no. 28 (ill.). Franco Russoli and Fiorella Minervino, L'opera completa di Degas (Milan, 1970), p. 114, no. 589 (ill.). Jacques Lassaigne and Fiorella Minervino, Tout l'oeuvre peint de Degas, trans. by Simone Darses (Paris, 1988), p. 114, no. 589 (ill.). Jeff Fleischer, "Drawing a Crowd," Chicago Magazine (November 2007), p. 44, fig. 6.