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    Museum collections / Art Institute of Chicago
    Sophronia Enters the Palace of Aladin
    Andrea Boscoli. Sophronia Enters the Palace of Aladin, 1604/06. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00006023

    Sophronia Enters the Palace of Aladin

    by Andrea Boscoli

    View at the Art Institute of Chicago

    Inscriptions

    Inscribed recto by the artist, upper edge, in pen and brown ink: "Mirata da ciascun passa è non mira"; bottom edge, in pen and brown ink: "la bella Donna e innanzi al Re sen viene (Admired by all, heedless went the lovely maid / ‘til to the presence of the king she came)"; upper right, in pen and brown ink: "1"; lower right, in pen and brown ink: "J.B."; verso, bottom edge of mount, in pen and brown ink underlined in graphite: "Andrea Boscoli florentino"

    Provenance

    Luca Fei, Filottrano, c. 1611. John Barnard (died 1784), London [script (Lugt 1419) recto, lower right, in pen and brown ink]; probably sold, Greenwood's, London, Feb. 24, 1787, lots 2 or 9. Baroness Jean de Nervo, 1964. Private collection, France; sold, Beaussant Lefévre, Paris, Dec. 18, 2002, lot 17. Sold by Jean-Luc Baroni, London, to Richard and Mary L. Gray, Chicago, May 5, 2003 (promised to the Art Institute of Chicago, 2019); given to the Art Institute of Chicago, 2022.

    Exhibition history

    Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 15 (ill.). Art Institute of Chicago, Pure Drawing: Seven Centuries of Art from the Gray Collection, Jan. 25–Oct. 12, 2020; traveled to Berkeley, UC Berkeley Art Museum and Pacific Film Archive, Aug. 4–Nov. 28, 2021.

    Publications

    Julian Brooks, "Andrea Boscoli's 'Loves of Gerusalemme Liberata,” Master Drawings 38 (2000), pp. 452–53 (as missing). Elena Fumagalli et al., L'arme e gli amori: La Poesia di Aroiosta, Tasso e Guarini nell'arte fiorentina del Seicento, exh. cat. (Palazzo Pitti, 2001), p. 89 (as missing). Julian Brooks, Graceful and True: Drawing in Florence c. 1600, exh. cat. (Ashmolean Museum, 2003), under cat. 19 n. 2. Nadia Bastogi, Andrea Boscoli (Edifir, 2008), p. 204 n.157, and p. 202 n.237 (as location unknown).

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Andrea Boscoli / Italian, 1550–1606
    Date
    1604/06
    Medium
    Pen and brown ink, and brush and brown wash, over touches of red chalk, on cream laid paper, laid down on blue laid laminated card
    Dimensions
    23.9 × 17.9 cm (9 7/16 × 7 1/16 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2022.67

    More by Andrea Boscoli in museum collections

    • Christ Entering Jerusalem

      Andrea Boscoli

      1595/99 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003493
    • Figures from a Massacre of the Innocents

      Andrea Boscoli

      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003584
    • Martyrdom of Saint Peter

      Andrea Boscoli

      1598/99 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004239
    • Two Standing Female Figures (Studies after Classical Statuary)

      Andrea Boscoli

      1580/84 · Drawing

      Public collection via the Art Institute of Chicago

      AT-00004460

    Open-access museum record · AT-00006023

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