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    Museum collections / Art Institute of Chicago
    Study for the Allegorical Figure of Earthly Harmony
    Domenico Maria Canuti. Study for the Allegorical Figure of Earthly Harmony, c. 1677. The Art Institute of Chicago. Public domain (CC0).
    AT-00006029

    Public data from the Art Institute of Chicago. Learn more

    Study for the Allegorical Figure of Earthly Harmony

    by Domenico Maria Canuti

    Inscriptions

    Inscribed, recto on mount, upper left, in graphite: "85"; lower center, in erased graphite: "Benedetto Luti" [within ink framing lines]; lower center, in graphite: "Benedetto Luti" [outside ink framing lines]; lower right, in red chalk: "24"; lower right, in pen and brown ink: "No 39"; lower right corner, in graphite: "94"; verso on mount, lower center, in graphite: "Mrs. Rayner Wood, Old Colwell, Malvern."

    Provenance

    John Skippe (1742–1811), Ledbury; his daughter Penelope Skippe (died 1830), wife of James Martin (1738–1844), Overbury Court, Worcestershire; their son John Martin (1774–1831), Overbury Court; his son Robert Martin (1808–1897), Overbury Court; his daughter Penelope Martin (1842–1873), wife of Rev. Frederick Whitmore Holland, Evesham; their son, Robert Holland-Martin (1872–1944); his sister Julia Holland-Martin (1873–1955), wife of Algernon Cockburn Rayner-Wood, Singleton Lodge, Lancashire; their nephew Edward Holland-Martin (1900–1958), London; sold, Christie's, London, Nov. 20–21, 1958, lot 125 (as Benedetto Luti). Sold, Sotheby's New York, Jan. 25, 2006, lot 70. Sold by Salamander Fine Arts, London, to Richard and Mary L. Gray, Chicago, Mar. 3, 2006 (promised to the Art Institute of Chicago, 2019); given to the Art Institute of Chicago, 2022.

    Exhibition history

    London, Royal Academy of Arts, Exhibition of Seventeenth Century Art in Europe, 1938, cat. 482 (as Benedetto Luti). Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 31 (ill.). Art Institute of Chicago, Pure Drawing: Seven Centuries of Art from the Gray Collection, Jan. 25–Oct. 12, 2020.

    Quick Overview

    Artist
    Domenico Maria Canuti / Italian, 1625–1684
    Date
    c. 1677
    Medium
    Red, black, and dark red chalk, with stumping, heightened with white chalk, on gray laid paper, laid down on cream laid laminated card
    Dimensions
    37 × 29.1 cm (14 5/8 × 11 1/2 in.)
    Type
    Drawing
    Classification
    chalk
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2022.68

    More by Domenico Maria Canuti in museum collections

    • Head of a Dominican Nun: Study for the Ecstasy of Saint Dominic

      Domenico Maria Canuti

      1673/75 · Drawing

      Public collection via the Art Institute of ChicagoAT-00003515
    • Virgin and Child Appearing to Saint Cajetan of Thiene

      Domenico Maria Canuti

      1681/82 · Drawing

      Public collection via the Art Institute of ChicagoAT-00005558
    • Study for Bacchus or Silenus

      Domenico Maria Canuti

      c. 1664 · Drawing

      Public collection via the Art Institute of ChicagoAT-00006214
    • The Apotheosis of Romulus: Design for a Ceiling

      Domenico Maria Canuti

      c. 1675–76 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00011647

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006029

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