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    Museum collections / Art Institute of Chicago
    Studies after Andrea Mantegna, Giulio Romano, and the Antique
    Nicolas Poussin. Studies after Andrea Mantegna, Giulio Romano, and the Antique, 1635/40. The Art Institute of Chicago. Public domain (CC0).

    Public collection via the Art Institute of Chicago

    AT-00006038

    Studies after Andrea Mantegna, Giulio Romano, and the Antique

    by Nicolas Poussin

    View at the Art Institute of Chicago

    Provenance

    Lord Arundel [according to 1881 Bale sale cat.]. Marquis de Lagoy [stamp (Lugt 1710) recto, lower right, in black]. Comte Moriz von Fries [blind stamp (Lugt 2903) recto, lower left]. Sir Thomas Lawrence, c. 1820 [blind stamp (Lugt 2445) recto, lower left]. William Russel [according to Sotheby's 1918]. Charles Sackville Bale [stamp (Lugt 640) verso, lower center, in black]; sold, Christie's, London, June 9, 1881, lot 2406. Sir Edward John Poynter [stamp (Lugt 874) recto, lower left, in blue]; sold, Sotheby's, London, Apr. 25, 1918, lot 224, to Douglas. Alfred Normand, Paris, from c. 1950 [stamp (Lugt 153c) recto, lower left and verso, lower right, in purple]. Sold by Salamander Fine Arts, London, to Richard and Mary L. Gray, Chicago, Apr. 12, 2007; given to the Art Institute of Chicago, 2019.

    Exhibition history

    Paris, Galerie Aubry, Dessins français et italiens du XVIe et du XVIIe siècles, 1971, cat. 83. Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 47 (ill.). The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020. UC Berkeley Art Museum and Pacific Film Archive, "Pure Drawing: Seven Centuries of Art from the Gray Collection", August 4 - November 28, 2021.

    Publications

    Vasari Society for the Reproduction of Drawings by Old Masters (Oxford University Press, 1912), vol. 7, no. 29. Walter Friedlaender and Anthony Blunt, The Drawings of Nicolas Poussin: Catalogue raisonné (Warburg Institute, 1974), vol. 5, no. 347, pl. 266. Anthony Blunt, The Drawings of Poussin (Yale University Press, 1979), pp. 142–43, fig. 161. Anthony Blunt, Les dessins de Poussin (Hazan, 1988), pp. 158–59, fig. 141. Pierre Rosenberg and Louis-Antoine Prat, Nicolas Poussin, 1594–1665: Catalogue raisonné des dessins (Leonardo, 1994), vol. 1, pp. 402–03, no. 206.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Nicolas Poussin / French, 1594–1665
    Date
    1635/40
    Medium
    Pen and brown ink, with brush and brown wash, on off-white laid paper
    Dimensions
    26.9 × 20.3 cm (10 5/8 × 8 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2019.861

    More by Nicolas Poussin in museum collections

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    • Landscape with Saint John on Patmos

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      Public collection via the Art Institute of Chicago

      AT-00000580
    • Man Praying in Wilderness

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      n.d. · Drawing

      Public collection via the Art Institute of Chicago

      AT-00003445
    • Sketches of Inscribed Bases of Roman Columns

      Nicolas Poussin

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      Public collection via the Art Institute of Chicago

      AT-00003448

    Open-access museum record · AT-00006038

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