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    Museum collections / Art Institute of Chicago
    The Borghese Chapel in Santa Maria Maggiore, Rome
    Jean-Auguste-Dominique Ingres. The Borghese Chapel in Santa Maria Maggiore, Rome, 1824. The Art Institute of Chicago. Public domain (CC0).
    AT-00006046

    Public data from the Art Institute of Chicago. Learn more

    The Borghese Chapel in Santa Maria Maggiore, Rome

    by Jean-Auguste-Dominique Ingres

    Inscriptions

    Signed recto, lower left, in pen and dark brown ink: "Ingres"; inscribed lower left, in graphite: "NO 1811?"

    Provenance

    Charles Marcotte d'Argenteuil (1773–1864); his daughter, Maria, later Mme Lengetil (1828–1920); by descent; sold, Christie's, London, July 7, 2009, lot 55, to Richard and Mary L. Gray, Chicago (promised to the Art Institute of Chicago, 2019); given to the Art Institute of Chicago, 2022.

    Exhibition history

    Paris, École des Beaux-Arts, Ingres, 1867, cat. 232. Paris, Hôtel de la Chambre Syndicale de la Curiosité et des Beaux-Arts, Ingres, 1921, cat. 160. Art Institute of Chicago, Gray Collection: Seven Centuries of Art, Sept. 25, 2010–Jan. 2, 2011, cat. 56 (ill.). Art Institute of Chicago, Pure Drawing: Seven Centuries of Art from the Gray Collection, Jan. 25–Oct. 12, 2020; traveled to New York, Morgan Library and Museum, Feb. 19–June 6, 2021.

    Publications

    Charles Blanc, Ingres, sa vie et ses ouvrages (Veuve J. Renfouard, 1870), p. 244. Daniel Ternois, “Ingres aquarelliste,” La revue des arts 2 (June 1955), p. 104 n. 7. Hans Naef, in Ingres in Rome, exh. cat. (National Gallery of Art, 1971), p. 42, under cat. 51. Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian (Phaidon, 1977), pp. 368, 372 n. 20. Patricia Condon, “J.A.D. Ingres: Les dessins historiques,” Bulletin du Musée Ingres 67–68 (1995), no. 53. Georges Viggne, Dessins d'Ingres: Catalogue raisonné des dessins du Musée de Montauban (Gallimard, 1995), p. 185, under no. 1024. Patricia Condon, "Les dessins historiques achevés de J.-A.-D Ingres (deuxième partie),” Bulletin du Musée Ingres 69 (1996), pp. 8, 23. Daniel Ternnois, Lettres d'Ingres à Marcotte d'ARgenteuil (Libraire des Arts et Métiers-Jacques Laget, 1999), pp. 30, 73 n. 12. Daniel Ternois, Lettres d'Ingres à Marcotte d'Argenteuil: Dictionnaire (Jacques Laget, 2001), pp. 75, 77 n. 79, fig. 29.

    Quick Overview

    Artist
    Jean-Auguste-Dominique Ingres / French, 1780–1867
    Date
    1824
    Medium
    Pen and brown ink and graphite and brush and gray and brown wash, with touches of red and ocher gouache, heightened with white gouache, on cream laid paper, laid down on cream laid card, laid down on blue matboard
    Dimensions
    17 × 13.7 cm (6 3/4 × 5 7/16 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2022.76

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    • Amédée-David, the Comte de Pastoret

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    • Study

      Jean-Auguste-Dominique Ingres

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    • Charles X in his Coronation Robes

      Jean-Auguste-Dominique Ingres

      c. 1828 · Drawing

      Public collection via the Art Institute of ChicagoAT-00002208

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006046

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