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    Museum collections / Art Institute of Chicago
    Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso) by Giuseppe Nicola Nasini
    Giuseppe Nicola Nasini. Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso), c. 1718. The Art Institute of Chicago. Public domain (CC0).
    AT-00006081

    Public data from the Art Institute of Chicago. Learn more

    Judith and Holofernes and Other Studies (recto); Diana and Endymion (verso)

    by Giuseppe Nicola Nasini

    Publications

    Capturing the Sublime: Italian Drawings of the Renaissance and Baroque, edited by Suzanne Folds McCullagh with the assistance of Kate Tierney Powell (New Haven and London: The Art Institute of Chicago and Yale University Press, 2012), pp. 257 (color ill.) and 307, no. A30.

    Quick Overview

    Artist
    Giuseppe Nicola Nasini / Italian, 1657–1736
    Date
    c. 1718
    Medium
    Pen and brown ink and brush and brown wash, with black chalk and touches of pen and black ink (recto), and pen and brown and black inks, with red and black chalk and brush and brown wash (verso), on cream laid paper
    Dimensions
    22.4 × 26.5 cm (8 7/8 × 10 7/16 in.)
    Type
    Drawing
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    Gift of Anne Searle Bent
    Accession no.
    2018.731

    Provenance

    Sold by Hill-Stone, New York, to Anne Searle Bent, 1992; given to the Art Institute of Chicago, 2018.

    More by Giuseppe Nicola Nasini in museum collections

    • The Dismissal of Hagar by Giuseppe Nicola Nasini

      The Dismissal of Hagar

      Giuseppe Nicola Nasini

      1657–1736 · Drawing

      Museum collection · via the Metropolitan Museum of ArtAT-00020685

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006081

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