ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServicesProcurement
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesCompliance

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    Suffer the Little Children to Come unto Me by Giambattista Tinti
    Giambattista Tinti. Suffer the Little Children to Come unto Me, n.d.. The Art Institute of Chicago. Public domain (CC0).
    AT-00006133

    Public data from the Art Institute of Chicago. Learn more

    Suffer the Little Children to Come unto Me

    by Giambattista Tinti

    Inscriptions

    Inscribed recto, lower left, in pen and black ink: 131

    Exhibition history

    Oberlin, Allen Memorial Museum, From Studio to Studiolo: Florentine Draftsmanship under the First Medici Grand Dukes, 1991, cat. 23, as Jacopo Ligozzi. Art Institute of Chicago, Strokes of Genius: Italian Drawings from the Goldman Collection, Nov. 1, 2014–Feb. 1, 2015, pp. 96–97, 178, cat. 26 (color ill.).

    Publications

    John A. Gere, “The Lawrence-Phillipps-Rosenbach ‘Zuccaro Album’,” Master Drawings (1970), 2, pp. 139–40, no. 48, pl. 27 (as Anonymous). Mario Di Giampaolo, Disegni emiliani del Rinascimento, (Modena, 1989), p. 288, under no. 142. Suzanne Folds McCullagh and Laura M. Giles, Italian Drawings before 1600 in The Art Institute of Chicago (Chicago, 1997), p. 387, under no. 666. De Moustier, La collection de dessins de l’Ecole italienne du Marquis de Lagoy (1764–1829), Mémoire de recherche, Ecole du Louvre (Paris, 2013), II:183–84, no. 517.

    Quick Overview

    Artist
    Giambattista Tinti / Italian, 1558–1604
    Date
    n.d.
    Medium
    Brush and brown washes and pen and brown ink, heightened with lead-white gouache (partially discolored), on cream laid paper
    Dimensions
    Sight: 33.4 × 41 cm (13 3/16 × 16 3/16 in.)
    Type
    Drawing
    Classification
    brush and wash
    Place
    Italy
    Department
    Prints and Drawings
    Credit line
    Gift of Jean and Steven Goldman
    Accession no.
    2018.801

    Provenance

    Bartolomeo Cavaceppi (1716–1799), Rome, to Willem Anne Lestevenon (1750–c. 1830), Paris, 1788/91; to Jean-Baptiste-Florentin-Gabriel de Meryan, Marquis de Lagoy (1764–1829), Aix-en-Provence, 1805 [(Lugt 1710), as no. 111 of Lagoy’s manuscript inventory drawn in 1809–10 (“Ecole romaine ep. 3. Federico Zuccaro […] des collections Cavaceppi, Levenston”)]; to Samuel Woodburn (1786–1853), London; to Sir Thomas Lawrence (1769–1830), London [Lugt 2445]; to Samuel Woodburn; sold, Christies, London, June 4, 1860, as part of lot 1074 (as Zucchero (F. and T.)—a most interesting series of 20 drawings representing Incidents in the Life of Taddeo Zuchero […], followed by 53 specimens of their works […]). Sir Thomas Phillipps (1792¬–1872); by descent to his grandson, Thomas Fitzroy Fenwick (1856–1938); to Dr. A.S.W Rosenbach (1876–1952), Philadelphia, 1930; to the Philip H. and A.S. W. Rosenbach Foundation, Philadelphia, 1950; to the British Rail Pension Fund, 1978; sold, Sotheby’s, New York, Jan. 11, 1990, lot 51 (as Jacopo Ligozzi). Thomas Williams Fine Art, London, 1991. Sold by W. M. Brady & Co., New York, Jean and Steven Goldman, 2013; given to the Art Institute of Chicago, 2018.

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006133

    Request removal·Powered by Art Trackers