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    Museum collections / Art Institute of Chicago
    A Soldier Loading a Musket, "Ramme in Your Pouder"
    Jacques de Gheyn II. A Soldier Loading a Musket, "Ramme in Your Pouder", 1596/98. The Art Institute of Chicago. Public domain (CC0).
    AT-00006185

    Public data from the Art Institute of Chicago. Learn more

    A Soldier Loading a Musket, "Ramme in Your Pouder"

    by Jacques de Gheyn II

    Inscriptions

    Inscribed, lower right, in pen and brown ink: "27"

    Provenance

    Probably Jacques de Gheyn III (c. 1596–1641), The Hague and Utrecht; probably Johannes Uytenbogaert (1608–1680), Amsterdam, by descent; to Jan and Jacob van Gheel (1667–1757 and 1670–1721), Amsterdam. Jan Pietersz. Zoomer (1641–1724), Amsterdam; sold, Amsterdam, Apr. 5, 1725, lot 56, to Jan Goeree, Amsterdam; sold, Amsterdam, Mar. 12, 1731.  Probably sold, Amsterdam, Mar. 8, 1762, part of lots 1417–78. Cornelis Ploos van Amstel (1726–1798), Amsterdam; sold, Amsterdam, Mar. 3, 1800, lot BBB62 or DD37 (with two other drawings), to B. de Bosch, Amsterdam; sold, Amsterdam, Mar. 10, 1817, lot 30 or 31, Amsterdam.  Sold, Amsterdam, Oct. 16, 1928, lot 469 (with a second drawing), Amsterdam. I.Q. (Johan Quirijn) van Regteren Altena (1899–1980), Amsterdam; by descent; sold, Christie’s, Amsterdam, Nov. 12, 1990, lot 68, to Bob P. Haboldt, Paris. Paul Russell, Amsterdam; sold through Thomas Williams, London, to Richard and Mary L. Gray, Chicago, 2017; promised to the Art Institute of Chicago, 2018.

    Exhibition history

    Rotterdam, Museum Boymans-van Beuningen, Jacques de Gheyn II Drawings, Dec. 13, 1985–Sept. 2, 1986, cat.17; also Washington D.C., The National Gallery of Art, Sept. 3–Nov. 5, 1986. The Art Institute of Chicago, "Rubens, Rembrandt, and Drawing in the Golden Age", September 28, 2019 - January 5, 2020, pp. 212, 213 (ill.), 214-15, 279, 298, 331, cat. 76, cat. by Victoria Sancho Lobis, et. al. The Art Institute of Chicago, "Pure Drawing: Seven Centuries of Art from the Gray Collection", January 25 - May 10, 2020, p. 48-49, cat. 19, p. 115, fig. 19.1, p. 133, GC 27, traveled to Berkeley, CA, August 4 - November 28, 2021.

    Publications

    I. Q. van Regteren Altena, Jacques de Gheyn, Three Generations (The Hague, 1983), no. 414 (ill.). The New Hollstein Dutch and Flemish Etchings, Engravings and Woodcuts 1450–1700, The De Gheyn Family, 2 vols. Compiled by Jan Piet Filedt Kok and Marjolein Leesberg, ed. Ger Luijten (Rotterdam: Sound and Vision Publishers, 2000 in cooperation with the Rijksprentenkabinet, Rijksmuseum Amsterdam), vol. 2, no. 409, p. 169 (ill. p. 195). Bob Haboldt, ed., Singular Vision: Haboldt & Co.’s Old Master Paintings and Drawings Since 1983  (Amsterdam, New York, Paris: Haboldt & Co., 2012), p. 346 (ill.).

    Quick Overview

    Artist
    Jacques de Gheyn II / Dutch 1565-1629
    Date
    1596/98
    Medium
    Pen and brown ink, brush and gray wash, and traces of black chalk on ivory laid paper, incised for transfer
    Dimensions
    26.7 × 18.4 cm (10 9/16 × 7 1/4 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    Netherlands
    Department
    Prints and Drawings
    Credit line
    Gift of Richard and Mary L. Gray
    Accession no.
    2019.848

    More by Jacques de Gheyn II in museum collections

    • Two Studies of a Roma Woman and a Roma Boy in a Large Hat

      Jacques de Gheyn II

      c. 1605 · Drawing

      Public collection via the Art Institute of ChicagoAT-00002184
    • A Huntsman with a Dead Hare and a Dog (Study for "Terra")

      Jacques de Gheyn II

      1590/95 · Drawing

      Public collection via the Art Institute of ChicagoAT-00002488
    • Studies of a Naked Seated Boy

      Jacques de Gheyn II

      c. 1603 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00011178
    • Vanitas Still Life

      Jacques de Gheyn II

      1603 · Painting

      Public collection via the Metropolitan Museum of ArtAT-00015028

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006185

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