ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / Art Institute of Chicago
    The Day of Judgment
    William Blake. The Day of Judgment, 1805. The Art Institute of Chicago. Public domain (CC0).
    AT-00006208

    Public data from the Art Institute of Chicago. Learn more

    The Day of Judgment

    by William Blake

    Provenance

    Commissioned from the artist by Robert Cromek (1770–1812), England; by descent to his widow. Thomas Sivright (1783–1835), Edinburgh; sold, C.B.Tait, Edinburgh, Feb. 10, 1836, lot 1835 (as “Volume of Drawings by Blake, Illustrative of Blaire’s Grave, entitled, ‘Black Spirits and White, Blue Spirits and Grey’”). John Stannard (1794–1882), Bedfordshire; to his son, Henry John Stannard (1840–1920); to his son, Henry John Sylvester Stannard (1870–1951); by descent, Glasgow, to 2000; Caledonia Books, Glasgow, from 2000; to Paul Williams, Fine Books, Ilkley, 2001; to Libby Howie; sold, Sotheby’s, New York, May 2, 2006, lot 9; acquired after the sale by a private collector, to 2018. Sold by Lowell Libson and Jonny Yarker, London, to the Art Institute of Chicago, 2018.

    Quick Overview

    Artist
    William Blake / English, 1757-1827
    Date
    1805
    Medium
    Pen and gray and black inks and watercolor, with scraping, over graphite, on cream wove paper, laid down on tan board
    Dimensions
    27.4 × 22.2 cm (10 13/16 × 8 3/4 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    England
    Department
    Prints and Drawings
    Credit line
    Harry B. and Bessie K. Braude Memorial, Margaret Day Blake and Suzanne Searle Dixon endowment funds
    Accession no.
    2019.139

    More by William Blake in museum collections

    • The Holy Family (Christ in the Lap of Truth)

      William Blake

      c. 1805 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00000337
    • Study of the Figure of Agnello Brunelleschi

      William Blake

      c. 1826 · Drawing

      Public collection via the Art Institute of ChicagoAT-00003993
    • Nude Figure of a Man with Flaming Torch

      William Blake

      n.d. · Drawing

      Public collection via the Art Institute of ChicagoAT-00005483
    • St. Matthew

      William Blake

      1799 · Painting

      Public collection via the Cleveland Museum of ArtAT-00009283

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006208

    Powered by Art Trackers