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    Museum collections / Art Institute of Chicago
    An Allegory of the Arts Vanquishing Time, Surmounted by a Medallion Portrait of King Stanislaw August of Poland as Patron of the Arts
    André Jean Lebrun. An Allegory of the Arts Vanquishing Time, Surmounted by a Medallion Portrait of King Stanislaw August of Poland as Patron of the Arts, after 1780. The Art Institute of Chicago. Public domain (CC0).
    AT-00006209

    Public data from the Art Institute of Chicago. Learn more

    An Allegory of the Arts Vanquishing Time, Surmounted by a Medallion Portrait of King Stanislaw August of Poland as Patron of the Arts

    by André Jean Lebrun

    Inscriptions

    Inscribed verso, lower left, in blue crayon: “158”; lower left, in graphite: “No. 261 / Fers / 165 /15 / Dros / 1594 / Le Brun”; upper right, in graphite: “1358”; lower right, in graphite: “62/44 / 4 be 24 / III”

    Provenance

    Baron Adalbert Freiherr von Lanna (1836–1909), Prague [stamp (Lugt 2773), verso, lower left, in black]. Sold, Christie’s, Paris, Mar. 22, 2007, part of lot 90. W. M. Brady & Co., New York, 2008; private collection, New York, by Jan. 2009 [Boston 2009]; sold through Stephen Ongpin, London, to the Art Institute of Chicago, 2018.

    Exhibition history

    Boston, Museum of Fine Arts, Splendor and Elegance: European Decorative Arts and Drawings from the Horace Wood Brock Collection, Jan. 22–May 17, 2009, cat. 140, pp. 4 (detail color ill.), 89, 137 (color ill.), and 158. New York, W. M. Brady & Co., Old Master Drawings and Oil Sketches, Jan. –Feb. 14, 2008, cat. 24, n.p. (color ill.).

    Publications

    Katarzyna Mikocka-Rachubowa, André Le Brun: “pierwszy rzezbiarz” króla Stanislawa Augusta (Warsaw: Instytut Sztuki PAN, 2010), pp. 446¬–47, no.94. Louis-Antoine Prat, Le dessin français au XVIIIe siècle (Paris: Louvre éditions, 2017), p.289.

    Quick Overview

    Artist
    André Jean Lebrun / French, 1737–1811
    Date
    after 1780
    Medium
    Pen and brown ink and brush and brown wash, over black chalk, on pieced ivory laid paper, laid down on ivory laid paper
    Dimensions
    Primary/secondary supports: 45.5 × 64.2 cm (17 15/16 × 25 5/16 in.)
    Type
    Drawing
    Classification
    drawings (visual works)
    Place
    France
    Department
    Prints and Drawings
    Credit line
    Regenstein Endowment Fund
    Accession no.
    2019.138

    More by André Jean Lebrun in museum collections

    • Cardinal Giuseppe Maria Feroni (1699–1767)

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      ca. 1767 · Sculpture

      Public collection via the Metropolitan Museum of ArtAT-00016753
    • The Triumph of Venus

      André Jean Lebrun

      n.d. · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00019389
    • Allegorical Design for a Tomb

      André Jean Lebrun

      n.d. · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00022311

    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006209

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