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    Museum collections / Art Institute of Chicago
    Shadrach, Meshach and Abednego in the Fiery Furnace by Simeon Solomon
    Simeon Solomon. Shadrach, Meshach and Abednego in the Fiery Furnace, Oct. 1863. The Art Institute of Chicago. Public domain (CC0).
    AT-00006230

    Public data from the Art Institute of Chicago. Learn more

    Shadrach, Meshach and Abednego in the Fiery Furnace

    by Simeon Solomon

    Provenance

    Christopher Wood Gallery, London. Private collection, London and New York. Sold, Christie’s, London, Nov. 5, 1993, lot 128. Barry Friedman Ltd, New York, 2000. The Hearn Family Trust, New York, by Oct. 2005 [Birmingham 2005 exh. cat.]; sold through Mireille Mosler, Ltd., New York, to the Art Institute of Chicago, 2022.

    Inscriptions

    Signed and dated, lower left corner, in pen and black ink: "10 SS 63"

    Exhibition history

    London, The Gallery, Berners Street, Winter Exhibition, Feb. 1863, cat. 40. Dudley Gallery, Sixth General Exhibition of Water-Color Drawings, Jan. 1870, cat. 45 (as The Three Holy Children in the Fiery Furnace). London, Geffrye Museum, Solomon. A Family of Painters, Nov. 8–Dec. 31, 1985, cat. 46, p. 68 (ill.); Birmingham Museum & Art Gallery, Jan. 18–Mar. 9, 1986. Birmingham Museum & Art Gallery, Love Revealed: Simeon Solomon and the Pre-Raphaelites, Oct. 1, 2005–Jan. 15, 2006, cat. 40, pp. 90–91 (ill.); Munich, Museum Villa Stuck, Mar. 9–June 18, 2006; The London Jewish Museum of Art, Ben Uri Gallery, Sept. 11–Nov. 26 2006.

    Publications

    W.M. Rossetti, Fine Art Quarterly Review I (May 1863), p. 195. “Dudley Gallery. Sixth General Exhibition of Drawings,” The Art-Journal (Mar. 1, 1870), p. 87. Atheneum (Feb. 12, 1870), p. 234. Illustrated London News (Feb. 12, 1870), pp. 181–82. The Spectator (Feb. 19, 1870), p. 237. Simon Reynolds, The Vision of Simeon Solomon (England: Stroud, 1984), pl. 31, p. 176. Gayle Marie Seymour, “The Life and Work of Simeon Solomon (1840–1905),” 1986, dissertation University of California, Santa Barbara, pp. 91, 318, fig. 95. Jasmine Allen, “Simeon Solomon and Stained Glass,” Pre-Raphaelite Society Review, XXVIII:3 (Autumn 2020), pp. 25–26, fig. 3.5.

    Quick Overview

    Artist
    Simeon Solomon / British, 1840-1905
    Date
    Oct. 1863
    Medium
    Watercolor and opaque watercolor, with traces of graphite, on cream wove paper
    Dimensions
    33 × 22.8 cm (13 × 9 in.)
    Type
    Drawing
    Classification
    drawing
    Place
    United Kingdom
    Department
    Prints and Drawings
    Credit line
    Regenstein Endowment Fund
    Accession no.
    2022.274

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    • Miriam Watching the Finding of Moses in the Bulrushes by Simeon Solomon

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    Open-access museum data

    This record comes from the open-access collection data that the Art Institute of Chicago publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Art Institute of Chicago is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Art Institute of Chicago Open Access (CC0)

    • View this work at the Art Institute of Chicago
    • The Art Institute of Chicago: open-access terms

    Data retrieved from the Art Institute of Chicago on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00006230

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