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    Museum collections / The Cleveland Museum of Art
    Portrait of Agostino Barbarigo
    Paolo Veronese. Portrait of Agostino Barbarigo, after c. 1571. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009191

    Portrait of Agostino Barbarigo

    by Paolo Veronese

    Also known as: Agostino Barbarigo; Ammiraglio Manfrin

    View at the Cleveland Museum of Art

    About the Artwork

    Barbarigo served as second in command of the Venetian naval forces during the Battle of Lepanto, fighting against the Ottoman Empire on October 7, 1571. During the skirmish, Barbarigo was slain by a Turkish arrow, which he holds in the portrait. Barbarigo’s identity is defined by his military prowess. In the 1500s, Venetian military portraits often portrayed the sitter in armor in a pose typical of a Roman emperor, creating a link to the valor and might of ancient armies.

    Provenance

    Possibly Giorgio Bergonzi (Venice, Italy), Possibly Manfrin, Venice, 1856] H. O. Miethke (Vienna, 1927]) Italico Brass, 1870-1943 (Venice, Italy), sold to the Cleveland Museum of Art, 1928.

    Exhibition history

    The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). The Venetian Tradition. The Cleveland Museum of Art, Cleveland, OH (November 8, 1956-January 1, 1957). The Golden Century of Venetian Painting. Los Angeles County Museum of Art, Los Angeles, CA (organizer) (October 23, 1978-January 28, 1979). Venezia e la difea del Levante: da Lepanto a Candia 1570-1690. Palazzo Ducale, Venice, Venice, Italy (organizer) (March 15-July 20, 1986). The Secular Veronese. Musée du Luxembourg, Paris, France (organizer) (September 22, 2004-September 30, 2005); Museo Correr (February 11-May 29, 2005). Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Museum of Fine Arts, Boston, Boston, MA (organizer) (March 15-August 16, 2009); Musée du Louvre, Paris, France (September 14, 2009-January 4, 2010). Paolo Veronese: Versatile Master of Renaissance Venice. John and Mable Ringling Museum of Art, Sarasota, FL (organizer) (December 6, 2012-April 14, 2013).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Paolo Veronese (Italian, 1528–1588)
    Date
    after c. 1571
    Medium
    oil on canvas
    Dimensions
    Framed: 136.2 x 136.2 x 12.1 cm (53 5/8 x 53 5/8 x 4 3/4 in.); Unframed: 102.2 x 104.2 cm (40 1/4 x 41 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Gift of Mrs. L. E. Holden, Mr. and Mrs. Guerdon S. Holden, and the L. E. Holden Fund
    Accession no.
    1928.16

    More by Paolo Veronese in museum collections

    • Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]

      Paolo Veronese

      c. 1570 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00000335
    • Various Sketches of the Madonna and Child (recto)

      Paolo Veronese

      c. 1580 · Drawing

      Public collection via the Cleveland Museum of Art

      AT-00010975

    Open-access museum record · AT-00009191

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