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    Museum collections / The Cleveland Museum of Art
    Sophie Crouzet by Louis Hersent
    Louis Hersent. Sophie Crouzet, c. 1801. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009196

    Public data from the Cleveland Museum of Art. Learn more

    Sophie Crouzet

    by Louis Hersent

    About the Artwork

    The sitter's dress deliberately evokes ancient Roman costume. However, the white muslin and straightforward cut also derives from earlier English fashions that favored simplicity in contrast to the elaborate, colorful clothing favored earlier in the 1700s. The transparency of her dress also carries political and cultural meaning: during the French Revolution in 1789, costume began to signify political allegiance, a sign of the character of the person who wore it. For women, transparency became increasingly literal, as in the sheer fabric worn by Crouzet, who came from a family of active revolutionaries.

    Exhibition history

    Baron Gros, Painter of Battles: The First Romantic Painter. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-April 15, 1956). Problem Pictures. The Frances Lehman Loeb Art Center, Poughkeepsie, NY (organizer) (October 13-November 15, 1965). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Rococo, Revolution, Restoration. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 11-September 24, 1989).

    Quick Overview

    Artist
    Louis Hersent (French, 1777–1860)
    Date
    c. 1801
    Medium
    oil on fabric
    Dimensions
    Framed: 101 x 85.5 x 12.5 cm (39 3/4 x 33 11/16 x 4 15/16 in.); Unframed: 81.2 x 65 cm (31 15/16 x 25 9/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Modern European Painting and Sculpture
    Credit line
    Grace Rainey Rogers Fund
    Accession no.
    1943.659

    Provenance

    Sophie Crouzet, retained by, until her death in 1844. By inheritance to her son Félix-Adolphe Crouzet. By inheritance to his daughter Sophie Crouzet, wife of Gustave-François Bourotte. By inheritance to their first-born son Eugène (d. 1899). By inheritance to his brother Émile Bourotte, then by inheritance to his wife, Mme Joséphine Darte-Bourotte, Versailles. Sold to Wildenstein & Co., New York, probably in the early 1920s. Grace Rainey Rogers sale, Parke-Bernet Galleries, New York, 18 November 1943 (lot 51), as Jacques-Louis David, Citoyenne Crouzet. Purchased by the CMA in 1943.

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Cleveland Museum of Art Open Access (CC0)

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009196

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