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Sophie Crouzet
About the Artwork
The sitter's dress deliberately evokes ancient Roman costume. However, the white muslin and straightforward cut also derives from earlier English fashions that favored simplicity in contrast to the elaborate, colorful clothing favored earlier in the 1700s. The transparency of her dress also carries political and cultural meaning: during the French Revolution in 1789, costume began to signify political allegiance, a sign of the character of the person who wore it. For women, transparency became increasingly literal, as in the sheer fabric worn by Crouzet, who came from a family of active revolutionaries.
Exhibition history
Baron Gros, Painter of Battles: The First Romantic Painter. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 8-April 15, 1956). Problem Pictures. The Frances Lehman Loeb Art Center, Poughkeepsie, NY (organizer) (October 13-November 15, 1965). Portraiture: The Image of the Individual. The Cleveland Museum of Art, Cleveland, OH (organizer) (November 22, 1983-January 22, 1984). Rococo, Revolution, Restoration. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 11-September 24, 1989).
Quick Overview
- Artist
- Louis Hersent (French, 1777–1860)
- Date
- c. 1801
- Medium
- oil on fabric
- Dimensions
- Framed: 101 x 85.5 x 12.5 cm (39 3/4 x 33 11/16 x 4 15/16 in.); Unframed: 81.2 x 65 cm (31 15/16 x 25 9/16 in.)
- Type
- Painting
- Classification
- Painting
- Department
- Modern European Painting and Sculpture
- Credit line
- Grace Rainey Rogers Fund
- Accession no.
- 1943.659
Provenance
Sophie Crouzet, retained by, until her death in 1844. By inheritance to her son Félix-Adolphe Crouzet. By inheritance to his daughter Sophie Crouzet, wife of Gustave-François Bourotte. By inheritance to their first-born son Eugène (d. 1899). By inheritance to his brother Émile Bourotte, then by inheritance to his wife, Mme Joséphine Darte-Bourotte, Versailles. Sold to Wildenstein & Co., New York, probably in the early 1920s. Grace Rainey Rogers sale, Parke-Bernet Galleries, New York, 18 November 1943 (lot 51), as Jacques-Louis David, Citoyenne Crouzet. Purchased by the CMA in 1943.
Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.
Open-access museum record · AT-00009196
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