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    Museum collections / The Cleveland Museum of Art
    Laban Searching for His Stolen Household Gods
    Bartolomé Esteban Murillo. Laban Searching for His Stolen Household Gods, c. 1665–70. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009276

    Public data from the Cleveland Museum of Art. Learn more

    Laban Searching for His Stolen Household Gods

    by Bartolomé Esteban Murillo

    Also known as: Laban Searching for His Stolen Household Gods in Rachel's Tent

    About the Artwork

    This story comes from the Old Testament book of Genesis and stresses the value of reconciliation. Jacob lived with his uncle Laban for years, marrying Laban’s daughters Rachel and Leah. When the relationship between the men soured, Jacob and his family departed, while Rachel secretly stole her father’s household gods. When Laban discovered that the statues were missing, he pursued Jacob, accusing him of theft. Here, Jacob invites Laban to search his tent, while Rachel sits on the saddlebag containing the statues. After coming up empty-handed, Laban proposes a truce, ending the squabble.

    Provenance

    1965-: The Cleveland Museum of Art, Cleveland, Ohio Until 1965: (Wildenstein & Co., New York, NY, sold to the Cleveland Museum of Art) by 1931: Carlos Guinle [1889-1956], Rio de Janeiro by 1926: Jacques Barou de la Lombardière de Canson [d. 1958], Paris 1924-: Hibbard1 1924: (Christie, Manson, and Woods, London, sale, July 4, 1924, no. 21, sold to Hibbard) By 1907-1924: Hugh Richard Arthur Grosvenor, second Duke of Westminster [1879 –1953] Possibly until 1899: Hugh Grosvenor, Marquis of Westminster [1825-1899], Grosvenor House, London, to his grandson, Hugh Richard Arthur Grosvenor After 1809: Possibly Robert Grosvenor, Marquis of Westminster [1767-1845]1 Marquis of Santiago, Santiago Palace, Madrid, sold to William Buchanan and W.G. Coesvelt through G. Augustus Wallis c. 1808-1809: (William Buchanan and W.G. Coesvelt, London, acquired in Spain through Buchanan’s agent, G. Augustus Wallis), sold to the Marquis of Westminster)1 by 1775-1808: Marquis of Villamanrique, MadMarquis of Santiago, Santiago Palace, Madrid, sold to William Buchanan and W.G. Coesvelt through G. Augustus Wallisrid1 1665-: Marquis of Villamanrique, Seville

    Exhibition history

    Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Murillo. Royal Academy of Arts, London, United Kingdom of Great Britain and Northern Ireland (organizer) (January 15-March 27, 1983); Museo del Prado, Madrid, Spain (October 8-December 12, 1983). Bartolomé Esteban Murillo: Paintings from American Collections. Kimbell Art Museum, Fort Worth, TX (organizer) (March 10-June 16, 2002); Los Angeles County Museum of Art, Los Angeles, CA (July 14-October 6, 2002).

    Quick Overview

    Artist
    Bartolomé Esteban Murillo (Spanish, 1617–1682)
    Date
    c. 1665–70
    Medium
    oil on canvas
    Dimensions
    Framed: 278 x 398 x 14 cm (109 7/16 x 156 11/16 x 5 1/2 in.); Unframed: 243 x 362 cm (95 11/16 x 142 1/2 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Gift of the John Huntington Art and Polytechnic Trust
    Accession no.
    1965.469

    More by Bartolomé Esteban Murillo in museum collections

    • Madonna Nursing the Christ Child

      Bartolomé Esteban Murillo

      c. 1670–72 · Drawing

      Public collection via the Cleveland Museum of ArtAT-00000334
    • Ecce Agnus Dei

      Bartolomé Esteban Murillo

      c. 1655 · Painting

      Public collection via the Art Institute of ChicagoAT-00000622
    • Head of an Old Man

      Bartolomé Esteban Murillo

      n.d. · Drawing

      Public collection via the Art Institute of ChicagoAT-00003552
    • Saint Joseph and the Sleeping Christ Child

      Bartolomé Esteban Murillo

      1670/75 · Drawing

      Public collection via the Art Institute of ChicagoAT-00005724

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009276

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