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    Museum collections / The Cleveland Museum of Art
    Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit
    Giovanni di Paolo. Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit, 1460s. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009293

    Public data from the Cleveland Museum of Art. Learn more

    Predella Panel from an Altarpiece: St. Catherine of Siena Invested with the Dominican Habit

    by Giovanni di Paolo

    About the Artwork

    Saint Catherine (1347–1380) was the daughter of a prosperous Sienese cloth dyer. At the age of six, she saw a vision of Christ and thereafter dedicated herself to chastity, penance, and good works. She became extremely popular in Siena when she selflessly cared for the sick and dying victims of the bubonic plague, known as the Black Death. These panels were once part of a predella (or pedestal) of a large altarpiece painted for the Hospital Church of Siena. The main scene of this altarpiece, showing the Presentation of Christ in the Temple (now preserved in Siena) was ordered by the Pork Butchers Guild (the Pizzicaiuoli) in 1447. The predella was added later when Catherine was canonized in 1461. In the first panel she kneels before an altar and reaches up to choose from the monastic garments offered by Saints Dominic, Augustine, and Francis, all founders of religious orders. Catherine takes the habit of Saint Dominic, which she wore as the founder of the Sisters of Penance. The second panel shows, at the right, Saint Catherine giving her cloak to a threadbare beggar. The beggar was really Christ in disguise, and at the left he returns the cloak to her. For this act of charity, the cloak perpetually protected its wearer from the cold.

    Provenance

    1461-?: S. Maria della Scala, Siena 1838-1867: Johann Anton Ramboux, Cologne (bought in Siena, c. 1838) 1867: (Cologne Sale May 1867) 1867: A. Muller, Dusseldorf, sold to the Hohenzollern Family ?-1920: Hohenzollern family, Sigmaringen 1921-1966: Baron Adolphe Stoclet, Brussels 1966: (R. Heinemann, New York, sold to the Cleveland Museum of Art) 1966-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Golden Anniversary of Acquisitions. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10-October 16, 1966). Lust und Verlust: Kölner Sammler zwischen Trikolore und Preussenadler (Joy and Loss: Cologne Collectors between the tricolore and the Prussian eagle). Josef Haubrich Kunsthalle (October 24, 1995-January 14, 1996). Sanctity Pictured: The Art of the Dominican and Franciscan Orders in Renaissance Italy. Frist Art Museum, Nashville, TN (organizer) (October 31, 2014-January 25, 2015).

    Quick Overview

    Artist
    Giovanni di Paolo (Italian, c. 1403–1482)
    Date
    1460s
    Medium
    tempera and gold on wood panel
    Dimensions
    Framed: 35.6 x 29.5 x 4.5 cm (14 x 11 5/8 x 1 3/4 in.); Unframed: 28.9 x 23 cm (11 3/8 x 9 1/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Medieval Art
    Credit line
    Gift of the John Huntington Art and Polytechnic Trust
    Accession no.
    1966.2

    More by Giovanni di Paolo in museum collections

    • The Adoration of the Magi

      Giovanni di Paolo

      1440–45 · Painting

      Public collection via the Cleveland Museum of ArtAT-00009264
    • St. Catherine of Siena and the Beggar

      Giovanni di Paolo

      1460s · Painting

      Public collection via the Cleveland Museum of ArtAT-00009286

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009293

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