ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    Interior of a Synagogue
    Alessandro Magnasco. Interior of a Synagogue, c. 1725–35. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009301

    Interior of a Synagogue

    by Alessandro Magnasco

    Also known as: The Synagogue

    View at the Cleveland Museum of Art

    About the Artwork

    The Jewish synagogue was among Magnasco's most frequently painted subjects, here presented in a mystical and imaginative way. Expansive architectural space creates room for a multitude of tiny, fantastical figures with elongated limbs. These characters respond to the service with emotion and expressive gestures. Flashes of light dash across the surface against a dark, muted palette of earthy tones suggesting an otherworldly presence. The composition invites the viewer to enter the space and experience the service. Though he used characteristic elements of Baroque composition and was strongly influenced by Venetian painting, Magnasco's loose brushwork, elongated figures, and mysterious subject matter set him apart. Magnasco peers into a world of which he was not part: he was not Jewish and probably perceived Jews as outsiders. At the dawn of the Enlightenment in Europe progressive aristocratic families commissioned paintings by Magnasco, suggesting the painter's support for Enlightenment ideals which included religious tolerance, but Magnasco's personal views on Judaism in Italy remain unknown.

    Provenance

    Private collection, sold Hotel Drouot, Paris, 1928 D'Atri Gallery (Paris, France) Benno Geiger, 1882-1965 (Vienna, Austria) Italico Brass (Venice, Italy), 1870-1943, sold through Harold Parsons to the Cleveland Museum of Art, 1930. 1930-: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    The Twentieth Anniversary Exhibition: The Official Art Exhibit of the Great Lakes Exposition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 26-October 4, 1936). Masterpieces of Art from the New York and San Francisco World's Fairs. The Cleveland Museum of Art, Cleveland, OH (February 7-March 7, 1940). The Silver Jubilee Exhibition. The Cleveland Museum of Art, Cleveland, OH (organizer) (June 23-September 28, 1941). Art: The International Language. The Cleveland Museum of Art (October 2-November 4, 1956). Paths of Abstract Art. The Cleveland Museum of Art, Cleveland, OH (October 5-November 13, 1960). Alessandro Magnasco - 1667-1749. Palazzo Reale (organizer) (March 20-July 7, 1996).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Alessandro Magnasco (Italian, 1667–1749)
    Date
    c. 1725–35
    Medium
    oil on canvas
    Dimensions
    Framed: 140.5 x 167.5 x 6 cm (55 5/16 x 65 15/16 x 2 3/8 in.); Unframed: 122 x 148.5 cm (48 1/16 x 58 7/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1930.22

    More by Alessandro Magnasco in museum collections

    • Arcadian Landscape with Figures

      Alessandro Magnasco

      c. 1700 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000560
    • Theodosius Repulsed from the Church by Saint Ambrose

      Alessandro Magnasco

      c. 1705 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000636
    • Monks at Supper

      Alessandro Magnasco

      c. 1720 · Painting

      Public collection via the Art Institute of Chicago

      AT-00000730
    • The Synagogue

      Alessandro Magnasco

      c. 1730 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001177

    Open-access museum record · AT-00009301

    Powered by Art Trackers