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    Museum collections / The Cleveland Museum of Art
    The Colonnade of Saint Peter's, Rome, during the Conclave
    Hubert Robert. The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009328

    The Colonnade of Saint Peter's, Rome, during the Conclave

    by Hubert Robert

    View at the Cleveland Museum of Art

    About the Artwork

    Hubert Robert studied and worked in Italy from 1754–65. Upon returning to Paris, he entered the Royal Academy as an architectural painter and full member in 1766. His time in Italy would prove to be influential and classical architectural subjects would dominate his subsequent oeuvre. Interior of the Colonnade of St. Peter's is based on a drawing dated 1758, the same year that Pope Clement XIII Rezzonico was elected. Given his interest in classical subjects, Robert has antiquated his subject by aging the condition of the columns and including a soldier dressed in ancient Roman armor. Similarly, Robert imaginatively portrays the Grotto of Posillipo. Measuring over 2000 feet in length, this tunnel was carved from the volcanic rock by ancient Romans to connect Naples with Pozzuoli. While this passageway was improved by repaving and reinforcing the arches during the reign of Charles III of Naples (1734–59), this structure was never the grand tunnel Robert depicts with coffered vaults and engaged columns.

    Inscriptions

    back of the original canvas : Mr de/Laferté

    Provenance

    Denis-Pierre Papillon de la Ferte Marius Paulme (sold, Paris, Galerie Georges Petit, November 22, 1923, lots 76 and 77, to Henri Boudonneau) 1923 - 1949 Henri Boudonneau (Paris, France), by inheritance to his son, Rene Boudonneau, 1949 1949 - 1961 Rene Boudonneau, by inheritance to his wife, Mme S. A. Boudonneau, 1961 1961 - 1974 Mme S. A. Boudonneau (Geneva, Switzerland) (sold, Christie's, London, December 13, 1974, lot 146, to Gallerie Cailleux 1974 - 1976 Gallery Cailleux (Paris, France) sold to the Cleveland Museum of Art, 1976.

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Hubert Robert (French, 1733–1808)
    Date
    c.1769
    Medium
    oil on canvas
    Dimensions
    Framed: 56 x 47.5 x 6 cm (22 1/16 x 18 11/16 x 2 3/8 in.); Unframed: 42.6 x 33.4 cm (16 3/4 x 13 1/8 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Mr. and Mrs. William H. Marlatt Fund
    Accession no.
    1976.97.1

    More by Hubert Robert in museum collections

    • The Old Temple

      Hubert Robert

      1787/88 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001070
    • The Obelisk

      Hubert Robert

      1787 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001071
    • The Landing Place

      Hubert Robert

      1788 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001072
    • The Fountains

      Hubert Robert

      1787–88 · Painting

      Public collection via the Art Institute of Chicago

      AT-00001073

    Open-access museum record · AT-00009328

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