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    Museum collections / The Cleveland Museum of Art
    Saints Presenting a Devout Woman to the Virgin and Child
    Giovanni Battista Pittoni. Saints Presenting a Devout Woman to the Virgin and Child, 1720s. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009356

    Public data from the Cleveland Museum of Art. Learn more

    Saints Presenting a Devout Woman to the Virgin and Child

    by Giovanni Battista Pittoni

    About the Artwork

    A devout woman, shown at lower right, is presented by saints and an angel to the central Virgin and Child. In clockwise order from her is Saint Lucy, identified by the cauldron and sword at her feet; Saint Agnes, by the lamb; Saint Scholastica, by the dove she holds; and Saint Benedict, characterized by his crozier and Benedictine habit. Slightly below the central Madonna is Saint Veronica, whose head is covered. Behind Saint Veronica, Saint Anthony of Padua, wearing a Franciscan habit and holding a lily stalk, stands in a pose of adoration. Below Saint Anthony and next to the woman is an angel. The identity of the woman is uncertain, but she may be the painting's patron. Pittoni uses dramatic gestures and elegant drapery, while the soft treatment of light and rich colors reflect Pittoni's study of French Rococo art during his stay in France in 1720. In the crowded composition, Pittoni has emphasized the importance of the religious event. His experimentation with composition is evident in the legs of Saint Agnes's lamb; as the painting has aged, a third front leg that Pittoni had painted over has become visible.

    Provenance

    1982-: The Cleveland Museum of Art, Cleveland, Ohio Until 1982: (Newhouse Galleries, New York, sold to the Cleveland Museum of Art) Possibly 1941-1982: Baron André Descamps, Brussels, possibly consigned to Newhouse Galleries 1941: (Galerie Fievez, Brussels, sale, June 23-24, 1941, no. 232 1927: (Galerie Georges Giroux, Brussels, Broerman sale, March 21, 1927, lot 24, as Giambattista Tiepolo) Possibly 1924-1927: Eugene Broerman [1860-1930], Brussels, consigned to Galerie Georges Giroux Piccoli collection, Venice 1720s: Possibly a palace chapel, Belluno, Italy

    Exhibition history

    The Year in Review for 1982. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 5-February 6, 1983). The Allure of La Serenissima: Eighteenth-Century Venetian Art. Oklahoma City Museum of Art, Oklahoma City, OK (organizer) (September 9, 2010-January 2, 2011).

    Quick Overview

    Artist
    Giovanni Battista Pittoni (Italian, 1687–1767)
    Date
    1720s
    Medium
    oil on canvas
    Dimensions
    Framed: 185 x 149 x 6.5 cm (72 13/16 x 58 11/16 x 2 9/16 in.); Unframed: 172 x 135.5 cm (67 11/16 x 53 3/8 in.)
    Type
    Painting
    Classification
    Painting
    Department
    European Painting and Sculpture
    Credit line
    Leonard C. Hanna Jr. Fund
    Accession no.
    1982.36

    More by Giovanni Battista Pittoni in museum collections

    • Susanna and the Elders (recto); Architectural design and other scribbles (verso)

      Giovanni Battista Pittoni

      ca. 1720 · Drawing

      Public collection via the Metropolitan Museum of ArtAT-00022340

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009356

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