ART TRACKERSConnecting fine art to people
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Platform OverviewPlatform SecurityPricingTechnology OverviewTags & PlaquesWhat is UAINLegal & Compliance
GovernmentTribal NationsArtistsUniversity & CollegesServices
InstitutionsExploreMuseum Collections
Artists
Why Art TrackersAboutContactBlogDocumentationCareers
Request demo
Art Trackers logo
ART TRACKERS
Connecting fine art to people

Connecting fine art to people. Preserving cultural legacy through technology.

Platform

FeaturesHow It WorksSecurityIntegrations

Government

For Cities & CountiesComplianceResourcesCase Studies

Resources

DocumentationHelp CenterBlog

Company

About UsCareersNewsContact Us

© 2026 Art Trackers LLC. All rights reserved.

Privacy PolicyTerms of ServiceAccessibility
    Museum collections / The Cleveland Museum of Art
    White-Robed Guanyin
    Jueji Yongzhong. White-Robed Guanyin, late 1200s–early 1300s. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009496

    White-Robed Guanyin

    by Jueji Yongzhong

    Also known as: White-Robed Guanyin (The Buddhist Deity of Compassion); Bodhisattva Avalokiteshvara in White-Robed Manifestation

    View at the Cleveland Museum of Art

    About the Artwork

    Guanyin, the bodhisattva of infinite compassion (Avalokiteshvara, in Sanskrit), reveals himself in many forms. According to Buddhist belief, one such manifestation is the white-robed Guanyin sitting on a rock on the island of Putuo (Potalaka, in Sanskrit), located along the coast not far from Ningbo, in Zhejiang Province, China. Here, the figure was swiftly drawn in only a few ink lines. The inscription above is by Zhongfeng Mingben, perhaps the most widely respected and influential Chan (Zen in Japanese) master in the Yuan dynasty. The artist’s signature is a single line below on the left: Huanzhu Yongzhong.

    Inscriptions

    Artist's signature: Huanzhu Yongzhong. Inscription by Zhongfeng Mingben: The right thinking [Samkalpa] is embodied within His deep meditation on the Buddha [naga-samadhi]. Retaining not even one single object of thought, A perfect harmony was wonderfully achieved. In the endless time and space, His all-embracing compassion prevails. [signed] Mingben of Huanzhu paying his respects.

    Provenance

    ?–1978: (Yamanaka and Company, Ltd., Kyoto, Japan, sold to the Cleveland Museum of Art) 1978–: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Eight Dynasties of Chinese Painting. The Nelson-Atkins Museum of Art (November 7, 1980-January 4, 1981); The Cleveland Museum of Art (February 11-March 29, 1981); Tokyo National Museum (October 4-November 17, 1982); The Asia Society Museum, New York, NY (December 3, 1982-February 28, 1983). Highlights of Asian Paintings from The Cleveland Museum of Art. Nara National Museum (organizer) (February 21-March 29, 1998); Suntory Museum of Art (April 28-June 21, 1998). Taming Tigers and Releasing Dragons: Masterpieces of Chinese Buddhist Art – Chinese Gallery Rotation 240a, 241c. The Cleveland Museum of Art (organizer) (February 8-August 11, 2019).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Jueji Yongzhong (Chinese, active around 1300)
    Date
    late 1200s–early 1300s
    Medium
    hanging scroll; ink on paper
    Dimensions
    Painting: 78.7 x 31.7 cm (31 x 12 1/2 in.); Overall with knobs: 164 x 38 cm (64 9/16 x 14 15/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Chinese Art
    Credit line
    Purchase from the J. H. Wade Fund
    Accession no.
    1978.47.1

    Open-access museum record · AT-00009496

    Powered by Art Trackers