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    Museum collections / The Cleveland Museum of Art
    Purification at the Orchid Pavilion by Fan Yi
    Fan Yi. Purification at the Orchid Pavilion, 1671. The Cleveland Museum of Art. Public domain (CC0).
    AT-00009512

    Public data from the Cleveland Museum of Art. Learn more

    Purification at the Orchid Pavilion

    by Fan Yi

    Also known as: Purification at the Orchid Pavilion 蘭亭修禊圖

    About the Artwork

    By the 1600s, the historic gathering at Lanting, Zhejiang province, in 353 CE was a common theme in Chinese painting. Originally based on a composition attributed to Li Gonglin (1049– 1106), now lost, Wu school artists revived the theme. Fan Yi, the brother of the artist Fan Qi from Nanjing, used delicate brushwork and luminous colors to depict the spring gathering.

    Inscriptions

    Artist's inscription, signature, and 2 seals: Painted by Fan Yi of Zhongfu during the second month of winter of the xinhai year [1671]. [2 seals] Fan Yi zhi yin, Zi yu yi.; Title on the frontispiece by Monk Yueshan (1629–1709).; 3 colophons and 13 additional seals: 1 colophon, dated 1707, and 6 seals of Yueshan; 2 colophons and 3 seals of Wong Kwan-Shut (Huang Junshi) 黃君實 (b. 1934); 2 seals of Fu Shen 傅 申 (1937–2024); 2 seals of Tessai Tomioka 富岡鐵齋 (1836–1924).

    Exhibition history

    Year in Review: 1977. The Cleveland Museum of Art, Cleveland, OH (organizer) (December 28, 1977-January 22, 1978). Chinese Paintings: Themes and Techniques. The Cleveland Museum of Art, Cleveland, OH (February 7-April 5, 1981). Greeting the Spring (Chinese art rotation, galleries 240a, 239, 241c). The Cleveland Museum of Art (organizer) (February 11-August 13, 2017). China’s Southern Paradise: Treasures from the Lower Yangzi Delta. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 10, 2023-January 7, 2024).

    Quick Overview

    Artist
    Fan Yi (Chinese, c. 1615–before 1688)
    Date
    1671
    Medium
    Handscroll; ink and color on silk
    Dimensions
    Image: 28.4 x 392.8 cm (11 3/16 x 154 5/8 in.); Overall: 29.8 x 763.3 cm (11 3/4 x 300 1/2 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Chinese Art
    Credit line
    Gift of Mrs. Wai-kam Ho and the Womens Council of The Cleveland Museum of Art
    Accession no.
    1977.47

    Provenance

    Tomioka Tessai 富岡鐵齋 [1837–1924], Kyoto, Japan ?–1977: Wong Kwan-Shut 黃君實 [b. 1934], Kansas City, Missouri, sold to the Cleveland Museum of Art 1977–: The Cleveland Museum of Art, Cleveland, OH

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    Source: The Cleveland Museum of Art Open Access (CC0)

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Open-access museum record · AT-00009512

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