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    Museum collections / The Cleveland Museum of Art
    A mendicant bowing before a holy man, from the Prince Salim Album
    Basavana. A mendicant bowing before a holy man, from the Prince Salim Album, c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s. The Cleveland Museum of Art. Public domain (CC0).

    Public collection via the Cleveland Museum of Art

    AT-00009616

    A mendicant bowing before a holy man, from the Prince Salim Album

    by Basavana

    View at the Cleveland Museum of Art

    About the Artwork

    As the Mughal atelier grew into the 1580s, Indian artists become increasingly adept at incorporating Persian styles with a new dimensionality and naturalism that Akbar promoted, possibly based on his appreciation of European prints and paintings. Here, a sincere holy man wears robes tinged lightly with blue. He stands beneath a tree in the wilderness with a loyal jackal by his side. A devotee touches his head to his feet. The artist’s tiny signature is written on the alms bowl. Connoisseurs of Persian art in the Islamic world praised an artist’s virtuoso ability to work on a microscopic scale.

    Inscriptions

    Persian inscription on mendicant’s bowl, in nasta‘liq script: the work of Basavana; Persian verse at top from a ghazal (lyrical poem) of Hafiz (Persian, 1325–1389), in nasta‘liq script: I have fallen at his feet, grieving and wailing./ Could it be that I might receive a helping hand?

    Provenance

    mid-1900s–May 1967: (Dikran Kelekian [1868–1951], New York, NY, sold to Ralph Benkaim) 1967–2013: Catherine Glynn Benkaim and Ralph Benkaim Collection 2013–: The Cleveland Museum of Art, Cleveland, OH

    Exhibition history

    Art and Stories from Mughal India. The Cleveland Museum of Art, Cleveland, OH (organizer) (July 31-October 23, 2016). Indian Painting of the 1500s: Continuities and Transformations. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 15, 2025-January 11, 2026).

    Open-access museum data

    This record comes from the open-access collection data that the Cleveland Museum of Art publishes for unrestricted use (Creative Commons Zero). Art Trackers shows a selection of the museum's published fields. The Cleveland Museum of Art is not an Art Trackers client and has not reviewed or endorsed this page; the museum's own website is the authoritative record.

    • View this work at the Cleveland Museum of Art
    • The Cleveland Museum of Art: open-access terms

    Data retrieved from the Cleveland Museum of Art on October 8, 2026. The museum may have updated its record since.

    Quick Overview

    Artist
    Basavana (Indian, active c. 1560–1600)
    Date
    c. 1585; inner border added in Allahabad c. 1602; outer border added probably 1900s
    Medium
    Gum tempera, ink, and gold on paper
    Dimensions
    Page: 32.7 x 21.1 cm (12 7/8 x 8 5/16 in.); Painting: 13.6 x 7.5 cm (5 3/8 x 2 15/16 in.)
    Type
    Painting
    Classification
    Painting
    Department
    Indian and Southeast Asian Art
    Credit line
    Gift in honor of Madeline Neves Clapp; Gift of Mrs. Henry White Cannon by exchange; Bequest of Louise T. Cooper; Leonard C. Hanna Jr. Fund; From the Catherine and Ralph Benkaim Collection
    Accession no.
    2013.296

    More by Basavana in museum collections

    • Jain Ascetic Walking Along a Riverbank

      Basavana

      c. 1600 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009464
    • The hunter offers the mother parrot to the king of Kamarupa, from a Tuti-nama (Tales of a Parrot): Fifth Night

      Basavana

      c. 1560 · Painting

      Public collection via the Cleveland Museum of Art

      AT-00009676

    Open-access museum record · AT-00009616

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